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Opie Collection

Background imageOpie Collection: Opie, (1761-1807), 1830. Creator: Unknown

Opie, (1761-1807), 1830. Creator: Unknown
Opie, (1761-1807), 1830. John Opie (1761-1807) Cornish historical and portrait painter introduced to the court of King George III, commissioned to paint Mary Delany among many notable men and women

Background imageOpie Collection: Who did with her according to his vow, early-mid 19th century? Creator: Samuel Freeman

Who did with her according to his vow, early-mid 19th century? Creator: Samuel Freeman
Who did with her according to his vow, early-mid 19th century? Biblical scene, from Judges 11:39: And it came to pass at the end of two months, that she returned unto her father

Background imageOpie Collection: Sir John Morshead, Bart. Lord Warden of the Stanneries, late 18th century, (1934)

Sir John Morshead, Bart. Lord Warden of the Stanneries, late 18th century, (1934). Portrait of Sir John Morshead, 1st Baronet, who was Lord Warden of the Stannaries in 1798

Background imageOpie Collection: Mr. Quick of Zennor, Cornwall, c1780, (1934). Creator: Unknown

Mr. Quick of Zennor, Cornwall, c1780, (1934). Creator: Unknown
Mr. Quick of Zennor, Cornwall, c1780, (1934). Portrait of an elderly man, a humble parishioner from a village on the Cornish coast. From " The Connoisseur", Vol 93, No 389, January 1934

Background imageOpie Collection: The Reverend George Scobell, D. D. as a Child, Holding His Dog Fop, c1780, (1934)

The Reverend George Scobell, D. D. as a Child, Holding His Dog Fop, c1780, (1934)
The Reverend George Scobell, D.D. as a Child, Holding His Dog " Fop", c1780, (1934). Portrait of a boy and his pet dog

Background imageOpie Collection: John Gillies, L. L. D. F. R. S. and S. A. 1813. Creator: Charles Picart

John Gillies, L. L. D. F. R. S. and S. A. 1813. Creator: Charles Picart
John Gillies, L.L.D. F.R.S. and S.A. and Historiographer to His Majesty for Scotland, 1813. Portrait of Scottish tutor, historian and man of letters John Gillies (1747-1836)

Background imageOpie Collection: Old Houses in Great Queen Street, South Side, 1850, (1881). Creator: Unknown

Old Houses in Great Queen Street, South Side, 1850, (1881). Creator: Unknown
Old Houses in Great Queen Street, South Side, 1850, (1881). Neoclassical terrace in Holborn, London. Famous residents include painter John Opie and playwright Richard Brinsley Sheridan

Background imageOpie Collection: Thomas Girtin (1775-1802). Creator: Unknown

Thomas Girtin (1775-1802). Creator: Unknown
Thomas Girtin (1775-1802). Portrait of British painter and etcher Girtin who played an important part in establishing watercolour as a respected art form

Background imageOpie Collection: Artists in front of the Royal Academy, Somerset House, London, 1797

Artists in front of the Royal Academy, Somerset House, London, 1797
Titianus redivivius; or the seven wise men consulting the new Venetian oracle. - A scene in ye Academic Grove, No.1, 1797; scene showing artists in front of the Royal Academy at Somerset House in

Background imageOpie Collection: Portrait of the poet Thomas Moore (1779-1852), 1790s

Portrait of the poet Thomas Moore (1779-1852), 1790s. Private Collection

Background imageOpie Collection: Amelia Opie, 1798. Artist: John Opie

Amelia Opie, 1798. Artist: John Opie
Amelia Opie, 1798. Amelia Opie (1769-1853), English author who published novels in the Romantic Period of the early 19th century. Painting held at the National Portrait Gallery, London

Background imageOpie Collection: Mary Wollstonecraft, c1797. Artist: John Opie

Mary Wollstonecraft, c1797. Artist: John Opie
Mary Wollstonecraft, c1797. Mary Wollstonecraft, 18th century English teacher, writer and feminist. A writer with radical political views on a range of issues fincluding womens rights, education

Background imageOpie Collection: Almeria, c18th century, (1902). Artist: John Raphael Smith

Almeria, c18th century, (1902). Artist: John Raphael Smith
Almeria, c18th century. After John Opie (1761-1807). From The Connoisseur Vol. II [Otto Limited, London, 1902.]

Background imageOpie Collection: Miss Holcroft, c18th century, (1916). Artist: John Opie

Miss Holcroft, c18th century, (1916). Artist: John Opie
Miss Holcroft, c18th century. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

Background imageOpie Collection: Elizabeth Fry, British prison and social reformer, c1798-1800 (1956)

Elizabeth Fry, British prison and social reformer, c1798-1800 (1956). Elizabeth Fry (1780-1845) was a Quaker minister and prison reformer

Background imageOpie Collection: Henry Fuseli, c19th century. Artist: Ridley

Henry Fuseli, c19th century. Artist: Ridley
Henry Fuseli, c19th century

Background imageOpie Collection: Balliol surrendering his crown to Edward I of England, 1296. Artist: J Rogers

Balliol surrendering his crown to Edward I of England, 1296. Artist: J Rogers
Balliol surrendering his crown to Edward I of England, 1296. In 1292, Edward I was asked to arbitrate in the selection of the King of Scotland in order to prevent a dynastic war breaking out between

Background imageOpie Collection: Portrait of Miss Frances Vinicombe, 1790s. Artist: Opie, John (1761-1807)

Portrait of Miss Frances Vinicombe, 1790s. Artist: Opie, John (1761-1807)
Portrait of Miss Frances Vinicombe, 1790s. Found in the collection of the State Hermitage, St. Petersburg

Background imageOpie Collection: The Blackmans Lament on how to make Sugar, 1813. Artist: Amelia Alderson Opie

The Blackmans Lament on how to make Sugar, 1813. Artist: Amelia Alderson Opie
The Blackmans Lament on how to make Sugar, 1813. London 1813, Photo D.Bey

Background imageOpie Collection: Henry and Emma, late 18th-early 19th century, (1912). Artist: Francesco Bartolozzi

Henry and Emma, late 18th-early 19th century, (1912). Artist: Francesco Bartolozzi
Henry and Emma, late 18th-early 19th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageOpie Collection: Manuring, 1826. Artist: Amelia Alderson Opie

Manuring, 1826. Artist: Amelia Alderson Opie
Manuring, 1826. From The Black Mans Lament; or How to Make Sugar by Amelia Opie. (London, 1826)

Background imageOpie Collection: Filling and Heading Casks, 1826. Artist: Amelia Alderson Opie

Filling and Heading Casks, 1826. Artist: Amelia Alderson Opie
Filling and Heading Casks, 1826. From The Black Mans Lament; or How to Make Sugar by Amelia Opie. (London, 1826)

Background imageOpie Collection: Boiling and Cooling the Sugar, 1826. Artist: Amelia Alderson Opie

Boiling and Cooling the Sugar, 1826. Artist: Amelia Alderson Opie
Boiling and Cooling the Sugar, 1826. From The Black Mans Lament; or How to Make Sugar, by Amelia Opie. (London, 1826)

Background imageOpie Collection: Cutting Sugar Cane, 1826. Artist: Amelia Alderson Opie

Cutting Sugar Cane, 1826. Artist: Amelia Alderson Opie
Cutting Sugar Cane, 1826. A slave is shown with a hoe or scythe used to cut the sugar cane behind him. From The Black Mans Lament; or How to Make Sugar by Amelia Opie. (London, 1826)

Background imageOpie Collection: Mary Wollstonecraft, 18th century Anglo-Irish writer and feminist

Mary Wollstonecraft, 18th century Anglo-Irish writer and feminist. Artist: Swan Electric Engraving Company
Mary Wollstonecraft, 18th century Anglo-Irish writer and feminist. A writer with radical political views on a range of issues fincluding womens rights, education

Background imageOpie Collection: Mary Wollstonecraft, 18th century English teacher, writer and feminist

Mary Wollstonecraft, 18th century English teacher, writer and feminist. A writer with radical political views on a range of issues fincluding womens rights, education


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