Making Collection (page 3)

Making Rope in the Days of the Tudors, c1934. Illustration showing a ropeworks. The accompanying text describes the process of twisting hemp to make rope for ships

Making A Stained Glass Window, c1934. Illustration showing a Tudor workshop. The accompanying text describes the process of heating glass to make it molten so it could be blown

Detail of the altarpiece dedicated to the Virgin with the Annunciation and shepherds making cheese, Painting on wood. It comes from Tora, Segarra (Lleida)

Prickle Maker, Cries of London, (c1819?). Artist: John Thomas Smith
Prickle Maker, (c1819?). Seated man making an openwork basket. From Cries of London, (c1819?)

Pattern making for a steel mould, Wombwell Foundry, South Yorkshire, 1963. Artist
Pattern making for a steel mould, Wombwell Foundry, South Yorkshire, 1963. Engineers work from detailed technical drawings to create patterns

Moulding in the Wombwell Foundry, South Yorkshire, 1963. Artist: Michael Walters
Moulding in the Wombwell Foundry, South Yorkshire, 1963. A steel worker uses a wooden pattern to create a mould for a steel casting

Zulu wives brewing utshwala (beer), Natal, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Singhalese weaving mats, 1902. Artist: Skeen & Co
Singhalese weaving mats, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Kashmiri potters at work, 1902. Artist: Bourne & Shepherd
Kashmiri potters at work, 1902. From The Living Races of Mankind, Vol. I. [Hutchinson & Co, London, 1902]

Making wine bottles, Hebron, c1900. From Journey in All Lands - Palestine. [Realistic Travels, London, Cape Town, Bombay, Melbourne, Toronto, c1900]

To Make My Small Elves Coats, 1908, (1923). Artist: Arthur Rackham
To Make My Small Elves Coats, 1908, (1923). From A Midsummer Nights Dream. Act II, Scene 2 (Shakespeare). From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Bakers at Work (MS. Add. 34, 605), 1903. From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Globe Making, 1917. An image of the George Philip & Sons Ltd. establishment. From The British Printer Vol. XXIV. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1917]

Making the warp, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

The making of khaki - Wool blending, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Making bombs out of tin cans in Gallipoli, 1915. From The Manchester Guardian History of the War Vol. III - 1915.. [John Heywood Ltd, London, 1915]

La Fragua De Vulcano, (Apollo in the Forge of Vulcan), 1629, ( c1934). Artist: Diego Velasquez
La Fragua De Vulcano, (Apollo in the Forge of Vulcan), 1629, ( c1934). The painting depicts the moment when the god Apollo, visits Vulcan, who is found making weapons for war

Preparing models at Madame Tussauds, London, c1903 (1903)
Preparing models at Madame Tussaud s, London, c1903 (1903). John Theodore Tussaud (1858-1943), sculptor, manager and chief artist of Madame Tussauds at work. From Living London, Vol. II, by George R

Prisoners making Hemp Rope at Billbid Prison, Manila, Philippines, c1900. The Bilibid Prison, Manila, Philippines known as Carcel y Presidio Correccional (Correctional Jail and Military Prison)

The Making of a Lawn-Tennis Player, 1937. From The Childrens Golden Treasure Book for 1937, edited by John R. Crossland and J. M. Parrish. [Odhams Press Ltd. London, 1937]

Primitive breadmaking, 1894. From A Popular History of Science, by Robert Routledge, BSc (Lond.), F.C.S. [George Routledge & Sons, Limited. London, 1894]

A woman making a miniature model of Mount Fuji, c1823. Artist: Hokusai
A woman making a miniature model of Mount Fuji, c1823. Picture housed in the Rijksmuseum, Amsterdam. From The Studio Volume 108. [The Offices of the Studio, London, 1934]

British engineers with the Expeditionary Force making hand grenades out of tobacco tins, c1914. From The Manchester Guardian: History of the War, Vol. II.-1914-15. 1915

The Making of khaki: examining the finished cloth, c1914
The making of khaki: examining the finished cloth, c1914. Khaki manufacture for soldiers uniforms during World War I. From The Manchester Guardian: History of the War, Vol. II.-1914-15. 1915

Boys making the native umbrella, Burma, 1908. Artist: Stereo Travel Co
Boys making the native umbrella, Burma, 1908. Stereoscopic card. Detail

Making the huge cigars smoked by women, Burma, 1908. Artist: Stereo Travel Co
Making the huge cigars smoked by women, Burma, 1908. Stereoscopic card. Detail

Boultons Screw Coining Press, As Used in the Royal Mint, 1866. Artist: Joseph Wilson Lowry
Boultons Screw Coining Press, As Used in the Royal Mint, 1866

Marking Machine, 1866

Natives Making Pombe, 1883. Pombe is an African beer made from plantains or bananas. A print from The Life and explorations of David Livingstone, LL.D

Plaiting the Crown of Thorns, 1875. A print from The Illustrated London News, 20th March 1875

The making of a pot, Mendi, Papua New Guinea, 1922. Artist: Northcote Thomas
The making of a pot, Mendi, Papua New Guinea, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

A man from the Warramunga tribe making a stone axe head, Australia, 1922. Artist: Spencer and Gillen
A man from the Warramunga tribe making a stone axe head, Australia, 1922. The man is chipping a block of diorite by means of a small lump of hard quartzite

Bookbinder, 16th century (1849). Artist: Jost Amman
Bookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coppersmith, 16th century (1849). Artist: Jost Amman
Coppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Spur maker, 16th century (1849). Artist: Jost Amman
Spur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coin maker, 16th century (1849). Artist: Jost Amman
Coin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Goldbeater, 16th century (1849). Artist: Jost Amman
Goldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Tailor, 16th century (1849). Artist: Jost Amman
Tailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cobbler, 16th century (184). Artist: Jost Amman
Cobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wheelwright, 16th century (1849). Artist: Jost Amman
Wheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cooper, 16th century (1849). Artist: Jost Amman
Cooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Carpenters, 16th century (1849). Artist: Jost Amman
Carpenters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Dyer, 16th century (1849). Artist: Jost Amman
Dyer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Bell and cannon caster, 16th century (1849). Artist: Jost Amman
Bell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Armourer, 16th century (1849). Artist: Jost Amman
Armourer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Sword maker, 16th century (1849). Artist: Jost Amman
Sword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Paper maker, 16th century, (1849). Artist: Jost Amman
Paper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Hatter, 16th century (1849). Artist: Jost Amman
Hatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

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