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Lacroix Collection (#7)

Background imageLacroix Collection: University of Oxford, 1849

University of Oxford, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageLacroix Collection: Vice-chancellor and students of different nationalities at the University of Prague, 1849

Vice-chancellor and students of different nationalities at the University of Prague, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageLacroix Collection: Leiden University public library, Leiden (Leyden), 1614 (1849)

Leiden University public library, Leiden (Leyden), 1614 (1849)
Leiden University public library, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Background imageLacroix Collection: Leiden University, Leiden (Leyden), Netherlands, 1614 (1849)

Leiden University, Leiden (Leyden), Netherlands, 1614 (1849). Leiden University was founded in 1575 by Prince William of Orange

Background imageLacroix Collection: Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)

Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)
Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques

Background imageLacroix Collection: St Bonaventure, (1221-1274), 15th century, (1849)

St Bonaventure, (1221-1274), 15th century, (1849). A 19th century version of an original 15th century fresco by Jean Fiesole, held at the Chapel of Nicholas V, Vatican

Background imageLacroix Collection: Seal of the Four Nations or the Facutly of Arts, 16th century (1849)

Seal of the Four Nations or the Facutly of Arts, 16th century (1849). A 19th century version of an original held at the Bibliotheque Nationale de France, Paris

Background imageLacroix Collection: The Emperor Charlemagne (742-814), 1849

The Emperor Charlemagne (742-814), 1849. The Motto, In scelus exurgo, sceleris discrimina purgo, is written on a scroll round the sword held in his right hand

Background imageLacroix Collection: Single combat between Maximilien and a German knight, 15th century (1849). Artist: Burgmayer

Single combat between Maximilien and a German knight, 15th century (1849). Artist: Burgmayer
Single combat between Maximilien and a German knight, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Aventures du Chevalier a la Roue

Background imageLacroix Collection: Entrance of the lord chief into the site of the tournament, 15th century (1849)

Entrance of the lord chief into the site of the tournament, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Tournois du Roi Rene

Background imageLacroix Collection: Jousting in the time of Queen Isabeau, 15th century, (1849)

Jousting in the time of Queen Isabeau, 15th century, (1849)
Jousting in the time of Queen Isabeau, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques de Froissart, volume IV

Background imageLacroix Collection: A fight to the death, 15th century (1849)

A fight to the death, 15th century (1849). A 19th century version of an original 15th century manuscript illustration held at the British Museum

Background imageLacroix Collection: Single combat subjected to the judgement of God, 15th century (1849)

Single combat subjected to the judgement of God, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Conquetes de Charlemagne

Background imageLacroix Collection: The Judicial Duel, the plaintiff opening his case before the judge, 15th century (1849)

The Judicial Duel, the plaintiff opening his case before the judge, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Ceremonies des Gages de

Background imageLacroix Collection: A knights armament, 1849

A knights armament, 1849. A 19th century version of an original manuscript illustration held by the British Museum. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageLacroix Collection: Court of Love, Provence, France, 14th century (1849)

Court of Love, Provence, France, 14th century (1849). A 19th century version based on an original manuscript illustration in Guillaume de Machaut held at the Bibliotheque Nationale de France, Paris

Background imageLacroix Collection: German knight, 15th century (1849). Artist: Burgmayer

German knight, 15th century (1849). Artist: Burgmayer
German knight, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

Background imageLacroix Collection: German knights, 15th century (1849). Artist: Burgmayer

German knights, 15th century (1849). Artist: Burgmayer
German knights, 15th century (1849). A 19th century version of an original manuscript illustration in Vita Imperatoris Maximilani, volume 2

Background imageLacroix Collection: Le passage du viatique, 1493 (1849). Artist: Pierre Wolgmuth

Le passage du viatique, 1493 (1849). Artist: Pierre Wolgmuth
Le passage du viatique, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageLacroix Collection: Christmas Eve dance, 1493 (1849). Artist: Pierre Wolgmuth

Christmas Eve dance, 1493 (1849). Artist: Pierre Wolgmuth
Christmas Eve dance, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageLacroix Collection: Dream of Childeric, 1849

Dream of Childeric, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageLacroix Collection: Papesse Jeanne, 15th century (1849)

Papesse Jeanne, 15th century (1849). After a 15th century miniature. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageLacroix Collection: Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson

Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson
Beliefs and popular superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels

Background imageLacroix Collection: Beliefs and superstitions, 1493 (1849). Artist: A Bisson

Beliefs and superstitions, 1493 (1849). Artist: A Bisson
Beliefs and superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Background imageLacroix Collection: King Charles VII of France (1403-1461), c1445 (1849)

King Charles VII of France (1403-1461), c1445 (1849). Charles was King of France from 1422 to his death. He was a member of the House of Valois and was the son of Charles VI

Background imageLacroix Collection: Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Artist: H Moulin

Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Artist: H Moulin
Exterior decoration of Le Mans Cathedral, Le Mans, France, 15th century (1849). Le Mans Cathedral is a Roman Catholic cathedral situated in Le Mans, France

Background imageLacroix Collection: Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849

Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Background imageLacroix Collection: A siege assault platform, 15th century (1849)

A siege assault platform, 15th century (1849). A 19th century version based on an original 15th century miniature held by the Bibliotheque Nationale, Paris

Background imageLacroix Collection: The Mezquita, Cordoba, Spain, 1849. Artist: A Bisson

The Mezquita, Cordoba, Spain, 1849. Artist: A Bisson
The Mezquita, Cordoba, Spain, 1849. The Mezquita was originally built to be a warehouse/temple/lighthouse. It later became the second-largest mosque in the world

Background imageLacroix Collection: Representation of The Last Supper on enamelled copper, 16th century (1849)

Representation of The Last Supper on enamelled copper, 16th century (1849). Artist: Franz Kellerhoven
Representation of The Last Supper on enamelled copper, 16th century (1849). A 19th century version based on an original 16th century engraving found in the collection of Mr Quedeville, Paris

Background imageLacroix Collection: Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin

Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin
Saint Catherine of Alexandria, 15th century (1849). Catherine is a Christian saint and martyr claimed to have been a noted scholar in the early 4th century

Background imageLacroix Collection: English battle dress, 15th-16th century (1849). Artist: Edward May

English battle dress, 15th-16th century (1849). Artist: Edward May
English battle dress, 15th-16th century (1849). Featuring English noblemen, 1426; a banneret of the king, 1550; an archer of Edward IV, an English arquebusier, 1450 and Richard de Beauchamp

Background imageLacroix Collection: Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres

Womens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres
Womens hats of different classes of society, 13th-16th century (1849). A 19th century version based on original 13th-16th century manuscript illustrations

Background imageLacroix Collection: Torture, 1541 (1849). Artist: A Bisson

Torture, 1541 (1849). Artist: A Bisson
Torture, 1541 (1849). The Estrapade. A 19th century version based on an original manuscript illustration in Praxis Criminis Persequendi

Background imageLacroix Collection: Sculptor, 16th century (1849). Artist: Jost Amman

Sculptor, 16th century (1849). Artist: Jost Amman
Sculptor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageLacroix Collection: The palace, 16th century (1849)

The palace, 16th century (1849). A 19th century version of an original 16th century engraving found in the collection of the Cabinet des Estampes, Bibliotheque Nationale de France, Paris

Background imageLacroix Collection: The cook, 16th century (1849). Artist: Jost Amman

The cook, 16th century (1849). Artist: Jost Amman
The cook, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageLacroix Collection: Womens fashions of the 18th century, (1885). Artist: Durin

Womens fashions of the 18th century, (1885). Artist: Durin
Womens fashions of the 18th century, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageLacroix Collection: Three stringed crout, 9th century, (1870). CROUT NOT FOUND

Three stringed crout, 9th century, (1870). CROUT NOT FOUND
Three stringed crout, 9th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix, London, 1870

Background imageLacroix Collection: Doctors at the Universite de Paris, 1849. Artist: Edward May

Doctors at the Universite de Paris, 1849. Artist: Edward May
Doctors at the Universite de Paris, 1849. A 19th century version of an original miniature from Chants Royaux, held at the Bibliotheque Nationale de France, Paris

Background imageLacroix Collection: Basin maker, 16th century (1849). Artist: Jost Amman

Basin maker, 16th century (1849). Artist: Jost Amman
Basin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageLacroix Collection: Coronation of Charles V, King of France, 14th century, (1870). Artist: Franz Kellerhoven

Coronation of Charles V, King of France, 14th century, (1870). Artist: Franz Kellerhoven
Coronation of Charles V, King of France, 14th century, (1870). A 19th century illustration after a miniature in Froissarts Chronicles in the collection of the Bibliotheque Imperiale, Paris

Background imageLacroix Collection: Consecration of a bishop, 9th century, (1870)

Consecration of a bishop, 9th century, (1870). A 19th century illustration after the manuscript Commentaries of Gregory Nazianzus in the Bibliotheque Imperiale, Paris

Background imageLacroix Collection: Man of Sorrow, or Christ showing the sign of the cross, (1870)

Man of Sorrow, or Christ showing the sign of the cross, (1870). Illustration after a miniature in the psalter of John, Duke of Berry in the Bibliotheque Imperiale, Paris

Background imageLacroix Collection: Personification of music, with the auxiliaries, the poet and musicians, 1508, (1870)

Personification of music, with the auxiliaries, the poet and musicians, 1508, (1870). Facsimile of a wood engraving from the Margarita Philosophica Nova

Background imageLacroix Collection: King Rene and his Musical Court, 15th century, (1870). Artist: Firmin, Didot & Co

King Rene and his Musical Court, 15th century, (1870). Artist: Firmin, Didot & Co
King Rene and his Musical Court, 15th century, (1870). A miniature from the breviary of King Rene, in the Arsenal Library, Paris

Background imageLacroix Collection: The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century

The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1)
The mystical chase of the unicorn, which has taken refuge in the lap of the virgin, 15th century, (1870). During the Middle Ages, the unicorn, attracted to the Virgin Mary

Background imageLacroix Collection: Louis of Taranto instituting the Order of the Holy Ghost, 14th century, (1870)

Louis of Taranto instituting the Order of the Holy Ghost, 14th century, (1870). Illustration after a miniature from a manuscript in the Bibliotheque Imperiale, Paris



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