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Joseon Dynasty Collection (page 2)

Background imageJoseon Dynasty Collection: Scroll Box with Dragon and Phoenix Design, 1700s-1800s. Creator: Unknown

Scroll Box with Dragon and Phoenix Design, 1700s-1800s. Creator: Unknown
Scroll Box with Dragon and Phoenix Design, 1700s-1800s. This large rectangular box was designed for keeping a scroll or an important document

Background imageJoseon Dynasty Collection: Scholar Playing a Qin, 1800s. Creator: Unknown

Scholar Playing a Qin, 1800s. Creator: Unknown
Scholar Playing a Qin, 1800s

Background imageJoseon Dynasty Collection: Samantabhadra on an Elephant with Two Attendants, 1392-1910. Creator: Unknown

Samantabhadra on an Elephant with Two Attendants, 1392-1910. Creator: Unknown
Samantabhadra on an Elephant with Two Attendants, 1392-1910

Background imageJoseon Dynasty Collection: Royal Ceremonial Costume and Accessories, late 1800s-early 1900s. Creator: Unknown

Royal Ceremonial Costume and Accessories, late 1800s-early 1900s. Creator: Unknown
Royal Ceremonial Costume and Accessories, late 1800s-early 1900s

Background imageJoseon Dynasty Collection: Set of Four Painted Characters, 19th Century. Creator: Unknown

Set of Four Painted Characters, 19th Century. Creator: Unknown
Set of Four Painted Characters, 19th Century

Background imageJoseon Dynasty Collection: Seven Jeweled Mountain, late 1800s. Creator: Unknown

Seven Jeweled Mountain, late 1800s. Creator: Unknown
Seven Jeweled Mountain, late 1800s. With a bird s-eye view, this ten-panel folding screen portrays the famous Seven Jeweled Mountain ??? in North Korea

Background imageJoseon Dynasty Collection: Nine-Dragon Falls, late 1800s. Creator: Han Unpyeong (Korean)

Nine-Dragon Falls, late 1800s. Creator: Han Unpyeong (Korean)
Nine-Dragon Falls, late 1800s. The Nine-Dragon Falls ??? is one of the popular tourist sites at the Diamond Mountain ??? in North Korea

Background imageJoseon Dynasty Collection: Portrait of the Great Master Yeongwoldang Eungjin, 1700s. Creator: Unknown

Portrait of the Great Master Yeongwoldang Eungjin, 1700s. Creator: Unknown
Portrait of the Great Master Yeongwoldang Eungjin, 1700s. The monk in this portrait, identified by an inscription in a red cartouche at the upper right of this painting

Background imageJoseon Dynasty Collection: Portrait of an Official, early 1800s. Creator: Unknown

Portrait of an Official, early 1800s. Creator: Unknown
Portrait of an Official, early 1800s

Background imageJoseon Dynasty Collection: Portraits of Cho Hyun-myeong and Cho Jae-ho, early 1800s. Creator: Unknown

Portraits of Cho Hyun-myeong and Cho Jae-ho, early 1800s. Creator: Unknown
Portraits of Cho Hyun-myeong and Cho Jae-ho, early 1800s. These two portraits are of members of the Cho family, which originated from the area of Punhyang

Background imageJoseon Dynasty Collection: Landscape, 1800s. Creator: Unknown

Landscape, 1800s. Creator: Unknown
Landscape, 1800s

Background imageJoseon Dynasty Collection: Landscape with Streams and Mountains, 1392-1910. Creator: Unknown

Landscape with Streams and Mountains, 1392-1910. Creator: Unknown
Landscape with Streams and Mountains, 1392-1910

Background imageJoseon Dynasty Collection: Overcoat for the Royal Ceremonial Costume, late 18th-early 19th century. Creator: Unknown

Overcoat for the Royal Ceremonial Costume, late 18th-early 19th century. Creator: Unknown
Overcoat for the Royal Ceremonial Costume, late 18th-early 19th century

Background imageJoseon Dynasty Collection: Orchids and Rocks, 1897-98. Creator: Yi Ha-eung (Korean, 1820-1898)

Orchids and Rocks, 1897-98. Creator: Yi Ha-eung (Korean, 1820-1898)
Orchids and Rocks, 1897-98. Yi Ha-eung was one of the most influential men in late 19th-century Korea. Acting as the regent for his son, King Gojong (1852-1919), who ascended the throne at age 13

Background imageJoseon Dynasty Collection: Hunting Scene, 1800s. Creator: Unknown

Hunting Scene, 1800s. Creator: Unknown
Hunting Scene, 1800s

Background imageJoseon Dynasty Collection: Grapes, 1800s. Creator: Unknown

Grapes, 1800s. Creator: Unknown
Grapes, 1800s. The grape was imported into East Asia from the West via the Silk Road. In Korea, making wine from the fruit became popular after the Chinese Yuan emperor presented grape wine to

Background imageJoseon Dynasty Collection: Winter Landscape, 1500s. Creator: Yeoseol (Korean)

Winter Landscape, 1500s. Creator: Yeoseol (Korean)
Winter Landscape, 1500s. This wintry vista is a vivid example of idealistic monumental painting: the strong contrasts of ink washes and contouring brush lines; the bold outlining of rock shapes

Background imageJoseon Dynasty Collection: Wild Geese and Reeds, 1392-1910. Creator: Unknown

Wild Geese and Reeds, 1392-1910. Creator: Unknown
Wild Geese and Reeds, 1392-1910

Background imageJoseon Dynasty Collection: Grapes, 1700s. Creator: Unknown

Grapes, 1700s. Creator: Unknown
Grapes, 1700s

Background imageJoseon Dynasty Collection: Snowscape with Figures, 1584. Creator: Kim Si (Korean, 1524-1593)

Snowscape with Figures, 1584. Creator: Kim Si (Korean, 1524-1593)
Snowscape with Figures, 1584. This scroll is a rare surviving example of early Joseon-period painting. The names of the painter, Kim Si, the patron, the date

Background imageJoseon Dynasty Collection: Cho Jae-ho from Punhyang Cho Family, 1800s. Creator: Unknown

Cho Jae-ho from Punhyang Cho Family, 1800s. Creator: Unknown
Cho Jae-ho from Punhyang Cho Family, 1800s

Background imageJoseon Dynasty Collection: Buddhist Deities, 1700s-1800s. Creator: Unknown

Buddhist Deities, 1700s-1800s. Creator: Unknown
Buddhist Deities, 1700s-1800s

Background imageJoseon Dynasty Collection: Books and Scholars Accouterments, late 1800s. Creator: Yi Taek-gyun (Korean

Books and Scholars Accouterments, late 1800s. Creator: Yi Taek-gyun (Korean
Books and Scholars Accouterments, late 1800s. First produced around the second half of the eighteenth century, chaekgado (literally)

Background imageJoseon Dynasty Collection: Cho Hyun-myeong from Punhyang Cho Family, 1800s. Creator: Unknown

Cho Hyun-myeong from Punhyang Cho Family, 1800s. Creator: Unknown
Cho Hyun-myeong from Punhyang Cho Family, 1800s. These two portraits are of members of the Cho family, which originated from the area of Punhyang

Background imageJoseon Dynasty Collection: Calligraphy (reverse), 1800s. Creator: Unknown

Calligraphy (reverse), 1800s. Creator: Unknown
Calligraphy (reverse), 1800s. This screen depicts paintings on one side and poems on the other-an economical format often used in Korea to allow the viewer to enjoy both sides of one screen

Background imageJoseon Dynasty Collection: Dwelling by a Mountain Stream, 1500s. Creator: Unknown

Dwelling by a Mountain Stream, 1500s. Creator: Unknown
Dwelling by a Mountain Stream, 1500s

Background imageJoseon Dynasty Collection: Lotuses, Insects, and Birds, 1800s. Creator: Unknown

Lotuses, Insects, and Birds, 1800s. Creator: Unknown
Lotuses, Insects, and Birds, 1800s. Pairs of herons, kingfishers, and dragonflies punctuate a profusion of lotus in this composition that

Background imageJoseon Dynasty Collection: Painted Panel of Character Dragon, early 1900s. Creator: Unknown

Painted Panel of Character Dragon, early 1900s. Creator: Unknown
Painted Panel of Character " Dragon", early 1900s

Background imageJoseon Dynasty Collection: Painted Panel of Character Recite, early 1900s. Creator: Unknown

Painted Panel of Character Recite, early 1900s. Creator: Unknown
Painted Panel of Character " Recite", early 1900s

Background imageJoseon Dynasty Collection: Painting of One Hundred Themes, late 1800s. Creator: Unknown

Painting of One Hundred Themes, late 1800s. Creator: Unknown
Painting of One Hundred Themes, late 1800s. This screen depicts paintings on one side and poems on the other--an economical format often used in Korea to allow the viewer to enjoy both sides of one

Background imageJoseon Dynasty Collection: Painting of One Hundred Themes (obverse), late 1800s. Creator: Unknown

Painting of One Hundred Themes (obverse), late 1800s. Creator: Unknown
Painting of One Hundred Themes (obverse), late 1800s. This screen depicts paintings on one side and poems on the other-an economical format often used in Korea to allow the viewer to enjoy both sides

Background imageJoseon Dynasty Collection: Painted Panel of Character Whistle, early 1900s. Creator: Unknown

Painted Panel of Character Whistle, early 1900s. Creator: Unknown
Painted Panel of Character " Whistle", early 1900s

Background imageJoseon Dynasty Collection: Painted Panel of Character Tiger, early 1900s. Creator: Unknown

Painted Panel of Character Tiger, early 1900s. Creator: Unknown
Painted Panel of Character " Tiger", early 1900s

Background imageJoseon Dynasty Collection: Poem on Plum, 1500s. Creator: Yi Hwang (Korean, 1501-1570)

Poem on Plum, 1500s. Creator: Yi Hwang (Korean, 1501-1570)
Poem on Plum, 1500s. For Yi Hwang, a celebrated scholar and poet in 16th-century Korea, writing poems was an escape from partisan politics

Background imageJoseon Dynasty Collection: Bird Sleeping on a Plum Tree, early 1900s. Creator: Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)

Bird Sleeping on a Plum Tree, early 1900s. Creator: Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)
Bird Sleeping on a Plum Tree, early 1900s. The plums status as the orthodox symbol of the literatis pure spirit originated in Lin Bus poem " Tiny Plum Flowers in Mountain Garden." The plum

Background imageJoseon Dynasty Collection: Back Apron for the Royal Ceremonial Robe, late 1800s-early 1900s. Creator: Unknown

Back Apron for the Royal Ceremonial Robe, late 1800s-early 1900s. Creator: Unknown
Back Apron for the Royal Ceremonial Robe, late 1800s-early 1900s

Background imageJoseon Dynasty Collection: Bamboo in Moonlight, 1500s. Creator: Unknown

Bamboo in Moonlight, 1500s. Creator: Unknown
Bamboo in Moonlight, 1500s. This painting depicts the full moon shining through a stand of bamboo, and for Joseon literati it would have conveyed the sense of life in harmony with nature to which

Background imageJoseon Dynasty Collection: Boating in Moonlight, 1600s. Creator: Unknown

Boating in Moonlight, 1600s. Creator: Unknown
Boating in Moonlight, 1600s

Background imageJoseon Dynasty Collection: Egret and Reeds, late 1800s. Creator: Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)

Egret and Reeds, late 1800s. Creator: Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)
Egret and Reeds, late 1800s. In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow

Background imageJoseon Dynasty Collection: Daoist Immortal on a Kilin and Two Attendants, late 1800s. Creator: Unknown

Daoist Immortal on a Kilin and Two Attendants, late 1800s. Creator: Unknown
Daoist Immortal on a Kilin and Two Attendants, late 1800s

Background imageJoseon Dynasty Collection: Crown for the Royal Ceremonial Costume, late 1800s-early 1900s. Creator: Unknown

Crown for the Royal Ceremonial Costume, late 1800s-early 1900s. Creator: Unknown
Crown for the Royal Ceremonial Costume, late 1800s-early 1900s

Background imageJoseon Dynasty Collection: Epitaph Plaques for Yi Gi-ha, 1718. Creator: Unknown

Epitaph Plaques for Yi Gi-ha, 1718. Creator: Unknown
Epitaph Plaques for Yi Gi-ha, 1718

Background imageJoseon Dynasty Collection: Gibbons in a Landscape, late 1800s or early 1900s. Creator: Unknown

Gibbons in a Landscape, late 1800s or early 1900s. Creator: Unknown
Gibbons in a Landscape, late 1800s or early 1900s. In contrast to the normal pairing of six-fold screens in Japanese culture, Korean screens are typically eight- or ten-fold

Background imageJoseon Dynasty Collection: Gathering among the Members of Office Censor-General, 1700s. Creator: Unknown

Gathering among the Members of Office Censor-General, 1700s. Creator: Unknown
Gathering among the Members of Office Censor-General, 1700s. On a hilly riverbank a few gentlemen enjoy an outdoor picnic under old pine trees, while a servant woman prepares their meal and drink

Background imageJoseon Dynasty Collection: Geese Returning Home, 1500s. Creator: Unknown

Geese Returning Home, 1500s. Creator: Unknown
Geese Returning Home, 1500s. The scene of geese descending to a sandbar originated with a very popular Chinese poem and theme in painting, Eight Views of Xiao Xiang River

Background imageJoseon Dynasty Collection: Assembly of Buddhist Deities, 1846. Creator: Unknown

Assembly of Buddhist Deities, 1846. Creator: Unknown
Assembly of Buddhist Deities, 1846



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