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Byzantine Gold treasure from Assiut or Antinoe, Egypt, 600. The Asyut Treasure is the name of an important Byzantine hoard of jewellery found near the city of Asyut, central Egypt
Gold brooch from Hornelund near Varde, c10th century. Viking Period at National Museum, Copenhagen
Specimen of Xmas Card and Pamphlet Porcelain - James Spicer & Sons, Ltd. 1910. Artist: James Spicer & SonsSpecimen of Xmas Card and Pamphlet Porcelain - James Spicer & Sons, Ltd. 1910. From The British Printer Vol. XXIII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1910]
Handkerchief of Lace of Irish Manufacture, 1863. Artist: Robert DudleyHandkerchief of Lace of Irish Manufacture, 1863. Gifts presented to Alexandra of Denmark on the occasion of her marriage to the future Edward VII
Handkerchief of Brussels Lace, 1863. Artist: Robert DudleyHandkerchief of Brussels Lace, 1863. Gifts presented to Alexandra of Denmark on the occasion of her marriage to the future Edward VII
Battersea Enamels in the James Ward Usher Collection, 1911. Antique Victorian Print Battersea Enamels, considered the finest of their kind to be produced in England during the mid-18th century
Ivy-Leaved Bellflower, c1891, (1891). Artist: Anne PrattIvy-Leaved Bellflower, c1891, (1891). From Wild Flowers, by Anne Pratt, 1891. [Society for Promoting Christian Knowledge, London, 1891]
Wall-paper, printed in distemper colour. Designed by H. Wilson, 1893 Artist: W JacksonWall-paper, printed in distemper colour. Designed by H. Wilson. Printed by W. Jackson (Jeffery and Co.), 1894. From The Studio Volume 2. [London Offices of the Studio, London, 1893]
Drawing of Chimney-Piece, c1537. Artist: Hans Holbein the YoungerDrawing of Chimney-Piece, c1537. Drawing housed at the British Museum, London. From The Connoisseur 1913, edited by J. T. Herbert Baily. [Otto Limited, London, 1913]
Knotted wool carpet, c1600 (1958). A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958
Page from the Lindisfarne Gospels, 710-721 AD. Gospel of St John the Evangelist, originally produced in Lindisfarne, North East England
Initial letter H, 1148. Initial letter with interlacing acanthus decoration from the beginning of the Book of Exodus in the Worms Bible, originally produced in Germany
The Great Hall, Bank of Rotterdam, The Hague, 1920. Artists: Unknown, Hermann Friedrich MertensThe Great Hall, Bank of Rotterdam, The Hague, 1920. From a design by architect Hermann Friedrich Mertens (1885-1960). From The Studio Volume 95. [London Offices of the Studio, London, 1928]
Roof of the Chancel, Rosslyn Chapel, Midlothian, Scotland, 20th century
The Chancel, Rosslyn Chapel, Midlothian, Scotland, 20th century
Lady Chapel, Rosslyn Chapel, Midlothian, Scotland, 20th century
Cast Iron Panel from Mulheim, Germany, 19th century. Artist: John Burley WaringCast Iron Panel from Mulheim, Germany, 19th century
Tibetan Wheel of the Law inlaid with turquoise and coral. The dharmachakra has represented the Buddhist dharma, Gautama Buddhas teaching of the path to Nirvana, since the time of early Buddhism
Mosaic detail in ambulatory of Santa Constanza church, Rome, 4th century. Mosaics in the ambulatory are secular and could be considered Dionysiac with images of grapes, fruit, birds
Maori Woodcarving representing panel detail of Ancestor. Panel from meeting-house. The Maori are the indigenous Polynesian people of New Zealand, they originated with settlers from eastern Polynesia
Detail of front of Ivory Casket, Hispano-Arabic work, Cordoba, 11th century. At London Victoria and Albert Museum
Interior of the Gur-I Mur Mausoleum in Samarkand, 15th centuryInterior of the Gur-I Mur Mausoleum in Samarkand, the cornice in jasper recording Timurs deeds, 15th century
Detail of a tile design in Nabuel, Tunisia
South Persian prayer rug, 18th centurySouth Persian prayer rug, which is very fine work of c. 700 knots per square inch. From the Metropolitan Museum of Arts collection in New York in New York, 18th century
The Strickland Brooch, Anglo-Saxon, mid-9th century. Plain gold panels with a pattern of dog-like animals with collars, deeply carved to form an openwork effect
Tibetan Buddhist mandala. A mandala is a symbolic diagram used in meditation and in sacred ceremonies. From the British Museum