Hanging Scroll Collection (page 9)

Two Beauties, late 18th-early 19th century. Creator: Kitabatake Shigemasa (Japanese, 1739-1820)
Two Beauties, late 18th-early 19th century. Shigemasa favored using colours in broad opaque masses, as seen here in the beauties robes

Turtle in a Lotus Pond, 18th century. Creator: Unknown
Turtle in a Lotus Pond, 18th century

Tenjin Traveling to China, 1610. Creator: Konoe Nobutada (Japanese, 1565-1614)
Tenjin Traveling to China, 1610

The Four Pleasures, 17th century. Creator: Iwasa Matabei (Japanese, 1578-1650), attributed to
The Four Pleasures, 17th century

The Seven Worthies of the Bamboo Grove, 1644-1911. Creator: Unknown
The Seven Worthies of the Bamboo Grove, 1644-1911

The Sand-Carrying Festival (Sunamochi Matsuri), 1856. Creator: Sakai Basai (Japanese
The Sand-Carrying Festival (Sunamochi Matsuri), 1856. Dredging waterways to preserve their function once required the cooperation of large numbers of people, seen at the top of this painting

The Secret Five Bodhisattvas (Gohimitsu Bosatsu), 1200s. Creator: Unknown
The Secret Five Bodhisattvas (Gohimitsu Bosatsu), 1200s. The Secret Five bodhisattvas were used in a ritual to convert negative aspects of consciousness into positive ones

Sanjo Kantaro II in the Role of Urashima Taro, early 1700s. Creator: Kaigetsud? Ando (Japanese, c)
Sanjo Kantaro II in the Role of Urashima Taro, early 1700s. Sanjo Kantaro II was a kabuki actor who specialized in playing youths (wakashu) and female roles (onnagata)

Scene from a Noh Play, early 18th century. Creator: Unknown
Scene from a Noh Play, early 18th century

Tall Bamboo and Distant Mountains, after Wang Meng, 1694. Creator: Wang Hui (Chinese, 1632-1717)
Tall Bamboo and Distant Mountains, after Wang Meng, 1694

Taima Mandala, 1300-1333. Creator: Unknown
Taima Mandala, 1300-1333

Summer Flowers, mid 1600s. Creator: Kitagawa S?setsu (Japanese, active 1639-50)
Summer Flowers, mid 1600s

Summer Mountains (after Dong Yuan [active about ad 937-975]), 1290-1354. Creator: Huang Gongwang
Summer Mountains (after Dong Yuan [active about ad 937-975]), 1290-1354. This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones

Swallows, late 1600s-early 1700s. Creator: Sekkei Yamaguchi (Japanese, 1644-1732)
Swallows, late 1600s-early 1700s

Swallow and Lotus, mid-1200s. Creator: Fachang Muqi (Chinese, 1220-1280), attributed to
Swallow and Lotus, mid-1200s

Sunset over Autumn Mountains, 1869. Creator: Hoashi En Kyou (Japanese, 1810-1884)
Sunset over Autumn Mountains, 1869

Spring Mist over Jiangnan, 1697. Creator: Shitao (Chinese, 1642-1707)
Spring Mist over Jiangnan, 1697

Spring Landscape, 17th century. Creator: Yukinobu Kiyohara (Japanese, 1643-1682)
Spring Landscape, 17th century

Spring Landscape, 1700s. Creator: Ike Taiga (Japanese, 1723-1776)
Spring Landscape, 1700s

Sparrows on Blossoming Plum, 17th century. Creator: Kano Tan?y? (Japanese, 1602-1674)
Sparrows on Blossoming Plum, 17th century

Sparrows and Bamboo, mid- to late 1500s. Creator: Shiken Seid? (Japanese, 1486-1581)
Sparrows and Bamboo, mid- to late 1500s. Shiken Seido, whose style name was Zean, was a Zen monk who trained at Shokokuji temple in Kyoto, and designed the garden of Reiun in at Myoshinji temple

Spring Dancers (Manzai), 18th century. Creator: Miyagawa Ch?shun (Japanese, 1683-1753)
Spring Dancers (Manzai), 18th century. Manzai is the Japanese term for wandering comic dancers. The painting depicts one of the traditional pleasures of the spring season

Puppy with Dandelions, 1600-1640. Creator: Tawaraya S?tatsu (Japanese, died c. 1640)
Puppy with Dandelions, 1600-1640

Prunus, 17th century. Creator: Kano Ein? (Japanese, 1631-1697), attributed to
Prunus, 17th century

Seitaka-doji (Cetaka), 1164. Creator: Unknown
Seitaka-doji (Cetaka), 1164

Seated Amitabha, late 1500s-early 1600s. Creator: Unknown
Seated Amitabha, late 1500s-early 1600s. This magnificent Buddha, called Amitabha (literally, " infinite light" ) is seated on a lotus pedestal with both palms facing up over crossed legs

Seasonal Landscapes: Winter, mid- to late 1500s. Creator: Kano Hideyori (Japanese
Seasonal Landscapes: Winter, mid- to late 1500s. Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons

Seated Priest, late 16th-first half of 17th century. Creator: Unknown
Seated Priest, late 16th-first half of 17th century

Seasonal Landscapes: Summer, mid- to late 1500s. Creator: Kano Hideyori (Japanese
Seasonal Landscapes: Summer, mid- to late 1500s. Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons

Seasonal Landscapes: Autumn, mid- to late 1500s. Creator: Kano Hideyori (Japanese
Seasonal Landscapes: Autumn, mid- to late 1500s. Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons

Seasonal Landscapes, mid- to late 1500s. Creator: Kano Hideyori (Japanese, active
Seasonal Landscapes, mid- to late 1500s. Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons

Scholar Watching the Waterfall, 1764. Creator: Luo Ping (Chinese, 1733-1799)
Scholar Watching the Waterfall, 1764

Shotoku Taishi and His Sons, 1300s. Creator: Unknown
Shotoku Taishi and His Sons, 1300s. Shotoku Taishi (about 574-622), prince regent, was attributed with numerous acts of faith in his lifetime

Shomen Kongo: The Blue-Faced Kongo, 17th century. Creator: Unknown
Shomen Kongo: The Blue-Faced Kongo, 17th century

Su Dongpo Riding a Donkey, late 16th to early 17th century. Creator: Reietsu (Japanese
Su Dongpo Riding a Donkey, late 16th to early 17th century

Streams and Mountains, 1372. Creator: Xu Ben (Chinese, 1335-1380)
Streams and Mountains, 1372. Among the five inscriptions at the top of the painting that comment on its merits is one by the artist: " Green trees, yellow orioles

Parinirvana with Otsu-e Subjects, 1800s. Creator: Hakuen (Japanese, active 1850-1870)
Parinirvana with Otsu-e Subjects, 1800s. The painting parodies the traditional representation of this subject. The death of Buddha is actually the moment he achieves nirvana

Peonies, 1685. Creator: Yun Shouping (Chinese, 1633-1690)
Peonies, 1685

Samantabhadra, 1100s. Creator: Unknown
Samantabhadra, 1100s. In the last chapter of the Lotus Sutra, one of the principal Buddhist texts, the great Bodhisattva Samantabhadra is described advancing to earth

Sacred Name of Tenjin, 1500s. Creator: Sakugen Sh?ry? (Japanese, 1501-1579)
Sacred Name of Tenjin, 1500s

Rei Shojo (Ling Zhaonu), 1500s. Creator: Shunoku S?en (Japanese, 1529-1611)
Rei Shojo (Ling Zhaonu), 1500s

Reeds and Geese, 1314-17. Creator: Unknown
Reeds and Geese, 1314-17. Reeds and geese has been a common pairing in Chinese literary and visual culture for many centuries

Quails and Sparrows in an Autumn Scene, 1347. Creator: Wang Yuan (Chinese, c. 1299-after 1366)
Quails and Sparrows in an Autumn Scene, 1347. The flower-and-bird subjects here are depicted in a careful and meticulous manner

Sakyamuni Buddha, 1300s. Creator: Unknown
Sakyamuni Buddha, 1300s

Sake Party with No Light, late 1800s-early 1900s. Creator: Tomioka Tessai (Japanese, 1836-1924)
Sake Party with No Light, late 1800s-early 1900s

Romance of the Three Kingdoms, 1800s. Creator: Matsumura Goshun (Japanese, 1752-1811)
Romance of the Three Kingdoms, 1800s. Matsumura Goshun was trained in literati art by Yosa Buson and Maruyama Okyo. Here, he depicted " Oath of the Peach Garden

Reflections of Priest Foyen, 15th century. Creator: Ikky? S?jun (Japanese, 1394-1481)
Reflections of Priest Foyen, 15th century. Left by his mother at a small Zen temple in Kyoto at the age of six, Ikkyu later drew on his early studies and experiences for his writings

Red Amida, 1300s. Creator: Unknown
Red Amida, 1300s. This rare image depicts the Crimson Crystal Buddha of Infinite Life, or Red Amida, with a red body; it is more common to see Red Amida with a red robe

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