Garlands Collection (page 4)

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg

Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia

Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, ca. 1540-80. Formerly attributed to Andrea Schiavone

Four women walking alongside four cows;plate from Repraesentatio Der Fü
Four women walking alongside four cows; plate from Repraesentatio Der Furstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Wurttenberg und Teckh

Atlantic Souvenir (title page), 1829. Creator: Asher Brown Durand
Atlantic Souvenir (title page), 1829

Ornament with a Small Empty Oval, 1540-45. Creator: Antonio Fantuzzi
Ornament with a Small Empty Oval, 1540-45

Banquet of Scipio, 1543. Creator: Antonio Fantuzzi
Banquet of Scipio, 1543

L Oeuvre D Antoine Watteau Pientre du Roy en son Academie Roï
L Oeuvre D Antoine Watteau Pientre du Roy en son Academie Roiale de Peinture et Sculpture Grave d apres ses Tableaux & Desseins originaux...par les Soins de M. de Jullienne, Volume III, ca. 1740

Fall. Creator: Charles-Joseph Natoire
Fall

Spring. Creator: Pierre Alexandre Aveline
Spring

Speculum Romanae Magnificentiae: The Three Graces, ca. 1500-1534. ca. 1500-1534
Speculum Romanae Magnificentiae: The Three Graces, ca. 1500-1534

Title Plate, from Livre Nouveau de Fleurs Tres-Util, 1645. 1645. Creator: Nicolas Cochin
Title Plate, from Livre Nouveau de Fleurs Tres-Util, 1645

Classical Allegory with the arms of the Ochsenfelder, mid-16th century

Design for a Tapestry Seat of a Sofa, 1721. Creator: Charles-Antoine Coypel
Design for a Tapestry Seat of a Sofa, 1721

The Disillusioned Medea, ca. 1640. Creator: Paulus Bor
The Disillusioned Medea, ca. 1640

Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman
Telemachus and the Nymphs of Calypso, 1782

French Renaissance Gobelins tapestries, (1898). Creator: Unknown
French Renaissance Gobelins tapestries, (1898). Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80)

Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898). Fig 1: Stamped leather hangings in the style of Louis XIV from the Sammlung vaterlandischer

Painted plaster ornament, France, 18th century, (1898). Creator: Unknown
Painted plaster ornament, France, 18th century, (1898). Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]

Gobelins weaving, France, 18th century, (1898). Creator: Unknown
Gobelins weaving, France, 18th century, (1898). Fig 1: Chair-seat by Louis Tessier, Louis XV [c1715-1774]. Fig 2: Basket of fruit by the same Artist, Louis XV

Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown
Plaster ornaments, France, 17th and 18th centuries, (1898). Fig 1: Panel decorations at door and window niches in the throne room of the Castle at Fontainebleau, style of Louis XIV [c1643-1715]

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Italian Renaissance ornamental painting, (1898). Creator: Unknown
Italian Renaissance ornamental painting, (1898). Examples of painted building facades: Figs 1-7: From the front of a house in Genoa (Via San Matteo. Nr, 10)

Design for a mural painting, France, (1928). Creator: Unknown
Design for a mural painting, France, (1928). About 1780. After an aquarelle pen-and-ink drawing. Plate CVII, fig 201, from " An Encyclopaedia of Colour Decoration from the Earliest Times to

Design for interior decoration, France, (1928). Creator: Unknown
Design for interior decoration, France, (1928). End of 18th Century. After an aquarelle pen-and-ink drawing. Plate CIX, fig 205

Design for mural decoration, Italy, (1928). Creator: Unknown
Design for mural decoration, Italy, (1928). 2nd Quarter of 18th Century... Probably by a member of the family of stucco workers Bossi which was also considerably employed in Germany

Foliage border design, Germany, (1928). Creator: Unknown
Foliage border design, Germany, (1928). About 1790. After an aquarelle pen-and-ink drawing. Plate CVIII, fig 204, from " An Encyclopaedia of Colour Decoration from the Earliest Times to

Decoration in the Nymphenburg Palace, Munich, Germany, (1928). Creator: Unknown
Decoration in the Nymphenburg Palace, Munich, Germany, (1928). About 1600...Vault-painting (lunettes of the window-niches) in the antiquarium of the Palace, Munich

Frieze in the dining-hall (Triclinium) of the house of Pammachius, Rome, Italy, (1928). About 385 [AD]...Figured frieze in the...house of Pammachius (d. 409 or 410) below [the church of] S

Decoration in the Uffizi Gallery, Florence, Italy, (1928). Creator: Unknown
Decoration in the Uffizi Gallery, Florence, Italy, (1928). About 1580...Grotesques in the corridor of the Uffizi...Painted ca. 1580 by Bernardino Poccetti (1542-1612)

Foliage border designs, France, (1928). Creator: Unknown
Foliage border designs, France, (1928). About 1780. After an aquarelle pen-and-ink drawing. Plate CVIII, figs 202-203, from " An Encyclopaedia of Colour Decoration from the Earliest Times to

Lisbon, late 19th-early 20th century. Creator: Unknown
Lisbon, late 19th-early 20th century. Decorative coat of arms for the city of Lisbon, capital of Portugal. A caravel denotes the cities seafaring history

Vienna, late 19th-early 20th century. Creator: Unknown
Vienna, late 19th-early 20th century. Decorative coat of arms for the city of Vienna, capital of Austria, (formerly part of Austria-Hungary)

Princess Alexandras Arrival in England, 1863... (1901). Creator: Unknown
Princess Alexandras Arrival in England, 1863: Her Royal Highness receiving a Bouquet from the Mayoress of Gravesend three days before her Marriage, (1901)

they went to a bower... c1885, (1934). Creator: Randolph Caldecott
they went to a bower... c1885, (1934). Then after an hour, they went to a bower, And played for ale and cakes, And kisses too, until they were due the lasses held the stakes

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