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Fashion Victim Collection

Background imageFashion Victim Collection: The Rivals, (c1827?). Artist: Robert Smirke

The Rivals, (c1827?). Artist: Robert Smirke
The Rivals, (c1827?), showing two women peering at each other with contempt

Background imageFashion Victim Collection: Tal Farlow (guitar) and Red Norvo (vibraphone), performing at Wallingford, Oxfordshire, 1981

Tal Farlow (guitar) and Red Norvo (vibraphone), performing at Wallingford, Oxfordshire, 1981

Background imageFashion Victim Collection: Tal Farlow (guitar) and Peter Ind (double bass), Wallingford, Oxfordshire, 1981. Artist

Tal Farlow (guitar) and Peter Ind (double bass), Wallingford, Oxfordshire, 1981. Artist
Tal Farlow (guitar) and Peter Ind (double bass), Wallingford, Oxfordshire, 1981

Background imageFashion Victim Collection: American guitarist Tal Farlow in concert, Wallingford, Oxfordshire, 1981. Artist

American guitarist Tal Farlow in concert, Wallingford, Oxfordshire, 1981. Artist
American guitarist Tal Farlow in concert, Wallingford, Oxfordshire, 1981

Background imageFashion Victim Collection: Count Basie and Lena Horne at the Grosvenor House Hotel, London, 1979

Count Basie and Lena Horne at the Grosvenor House Hotel, London, 1979

Background imageFashion Victim Collection: Count Basie reading a copy of Crescendo magazine at the Grosvenor House Hotel, London, 1979

Count Basie reading a copy of Crescendo magazine at the Grosvenor House Hotel, London, 1979

Background imageFashion Victim Collection: Count Basie at the Grosvenor House Hotel, London, 1979. Artist: Denis Williams

Count Basie at the Grosvenor House Hotel, London, 1979. Artist: Denis Williams
Count Basie at the Grosvenor House Hotel, London, 1979

Background imageFashion Victim Collection: Freddie Green and Count Basie at the Grosvenor House Hotel, London, 1979. Artist

Freddie Green and Count Basie at the Grosvenor House Hotel, London, 1979. Artist
Freddie Green and Count Basie at the Grosvenor House Hotel, London, 1979

Background imageFashion Victim Collection: Count Basie and Illinois Jacquet at the Capital Radio Jazz Festival, London, July 1979

Count Basie and Illinois Jacquet at the Capital Radio Jazz Festival, London, July 1979

Background imageFashion Victim Collection: The Ladies Disaster, 1771. Artist: Caldwell

The Ladies Disaster, 1771. Artist: Caldwell
The Ladies Disaster, 1771. A woman loses her wig in a high wind. Illustration from Social Caricature in the Eighteenth Century

Background imageFashion Victim Collection: Such things are, That such things are we must allow, but such things never were till now, 1787

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Background imageFashion Victim Collection: Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

Background imageFashion Victim Collection: Killing Birds of Paradise, New Guinea, 1908

Killing Birds of Paradise, New Guinea, 1908. The European hunter has a gun, while the native is proving himself proficient with his bow and arrow

Background imageFashion Victim Collection: Two Girls of The Period, 1869. Artist: John Tenniel

Two Girls of The Period, 1869. Artist: John Tenniel
Two Girls of The Period, 1869. This cartoon shows a fashionable protestant convert to Catholicism looking in horror at the Catholic nun

Background imageFashion Victim Collection: Caution to Young Ladies who ride in Crinoline on Donkeys, 1860

Caution to Young Ladies who ride in Crinoline on Donkeys, 1860. A wonderfully comic cartoon that refers to one of Punchs favourite targets; the fashionable crinoline

Background imageFashion Victim Collection: Don t Broil your Babies!, 1859

Don t Broil your Babies!, 1859. The nursemaids bonnet is large enough to act as a sunshade for the two children. The pram could be seen as a prototype of the latest fashion in pushchairs in 2001


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