Exaggerated Collection

Une erreur excusable, 19th century. Creator: Honore Daumier
Une erreur excusable, 19th century. Woman in a large crinoline dress. An understandable mistake. Chickens believing they have found the coop where they spent their youth

Dandies, 1519 and 1819, published January 20, 1819. Creator: William Heath
Dandies, 1519 and 1819, published January 20, 1819. Male fashions of the 16th and 19th centuries. Attributed to William Heath

Provinciaux visitant les curiosites de Paris (Provinicials Visiting the Curiosities of Paris), c. 1805

Les Invisibles en tete-a-tete (Tete-a-Tê
Les Invisibles en tete-a-tete (Tete-a-Tete with Poke Bonnets), c. 1805

Characters and Caricaturas, April 1743. Creator: William Hogarth
Characters and Caricaturas, April 1743

We Have the Exhibition to Examine, 1810-40. Creator: William Heath
We Have the Exhibition to Examine, 1810-40

Monstrosity of 1829: "Lo this is their very guise", 1829
Monstrosity of 1829: " Lo this is their very guise", 1829

Characters in High Life, June 20, 1795. Creator: James Gillray
Characters in High Life, June 20, 1795

Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas
Les Invisibles (The Invisible Ones), 1810

Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829

Dandies in Rotten Row, January 21, 1819. Creator: William Heath
Dandies in Rotten Row, January 21, 1819

The Bum Shop, July 11, 1785. Creator: Attributed to R. Rushworth
The Bum Shop, July 11, 1785

Well-a-day, Is this my Son Tom, ca. 1773. Creator: Probably after Samuel Hieronymus Grimm
Well-a-day, Is this my Son Tom, ca. 1773

The City Rout, May 20, 1776. Creator: In the manner of Richard St. George Mansergh St
The City Rout, May 20, 1776

The Flower Garden, May 1, 1777. Creator: Matthew Darly
The Flower Garden, May 1, 1777

Characters and Caricaturas, April 1743. April 1743. Creator: William Hogarth
Characters and Caricaturas, April 1743

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

A Sportsman of the 16th Century, (c1798). Creator: Unknown
A Sportsman of the 16th Century, (c1798). Elizabethans out for a day of sport, wearing elaborately decorated doublet and hose

A Victorian Picnic, c1860, (1944). Creator: Unknown
A Victorian Picnic, c1860, (1944). A family having an al fresco meal. As the women recline, their full skirts reveal their bloomers underneath - a comment on the Victorian crinoline

La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771. A satire on the exaggerated hairstyles of the day

Well-a-day! Is this my son Tom!, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Be not amaz d dear Mother, it is indeed your daughter Anne, 1770. Illustration from Social Caricature in the Eighteenth Century

The New-fashioned Phaeton, 1776. Sic itur ad astra - Thus do we reach the stars. Illustration from Social Caricature in the Eighteenth Century

Phaetona, or Modern Female Taste, 1776. Artist: Colley
Phaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

The New Gig, 1781. Artist: Colley
The New Gig. 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Waggoners Frocks or No Bodys of 1795, 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

The Ton at Greenwich: A la festoon dans le park a Greenwich 1777. Illustration from Social Caricature in the Eighteenth Century

French Costume, (1885). A womans elaborate and heavy hairstyle is held up with a stick by her black servant. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789

Mural of Mercury, Pompeii, Italy. Erotic portrait of a figure with an erection

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