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Drypoint Collection

Background imageDrypoint Collection: The Wingless Chimera, 1911. Creator: David Young Cameron

The Wingless Chimera, 1911. Creator: David Young Cameron
The Wingless Chimera, 1911

Background imageDrypoint Collection: Maternal Caress, c. 1891. Creator: Mary Cassatt

Maternal Caress, c. 1891. Creator: Mary Cassatt
Maternal Caress, c. 1891

Background imageDrypoint Collection: Speke Hall, 1870, (1904). Artist: James Abbott McNeill Whistler

Speke Hall, 1870, (1904). Artist: James Abbott McNeill Whistler
Speke Hall, 1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageDrypoint Collection: Christ Preaching (La Petite Tombe), c. 1657. Creator: Rembrandt van Rijn (Dutch, 1606-1669)

Christ Preaching (La Petite Tombe), c. 1657. Creator: Rembrandt van Rijn (Dutch, 1606-1669)
Christ Preaching (La Petite Tombe), c. 1657

Background imageDrypoint Collection: Seatetd Nude Woman from the Back. Creator: Jean Louis Forain (French, 1852-1931)

Seatetd Nude Woman from the Back. Creator: Jean Louis Forain (French, 1852-1931)
Seatetd Nude Woman from the Back

Background imageDrypoint Collection: Eaux-Fortes Modernes. Plate 197. Arabes d'Oran (Arabs of Oran), 1833. Creator: Eugene Delacroix

Eaux-Fortes Modernes. Plate 197. Arabes d'Oran (Arabs of Oran), 1833. Creator: Eugene Delacroix
Eaux-Fortes Modernes. Plate 197. Arabes d'Oran (Arabs of Oran), 1833. Shows an outdoor setting with two men, one reclining and facing the viewer

Background imageDrypoint Collection: Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635.

Background imageDrypoint Collection: Sunrise, 1915-34. Creator: Sydney Mackenzie Litten

Sunrise, 1915-34. Creator: Sydney Mackenzie Litten
Sunrise, 1915-34.

Background imageDrypoint Collection: Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

Background imageDrypoint Collection: Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Background imageDrypoint Collection: The 'Adam and Eve', Old Chelsea, 1879. Creator: James Abbott McNeill Whistler

The "Adam and Eve", Old Chelsea, 1879. Creator: James Abbott McNeill Whistler
The "Adam and Eve", Old Chelsea, 1879.

Background imageDrypoint Collection: Drouet, 1859. Creator: James Abbott McNeill Whistler

Drouet, 1859. Creator: James Abbott McNeill Whistler
Drouet, 1859.

Background imageDrypoint Collection: Le Pont-Neuf, c.1861. Creator: Charles Meryon

Le Pont-Neuf, c.1861. Creator: Charles Meryon
Le Pont-Neuf, c.1861.

Background imageDrypoint Collection: Billingsgate, 1859. Creator: James Abbott McNeill Whistler

Billingsgate, 1859. Creator: James Abbott McNeill Whistler
Billingsgate, 1859. One of the 16-print 'Thames set', a daringly abstract composition which is dominated by moored fishing vessels, and the bow of a barge in the left

Background imageDrypoint Collection: Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn

Self-portrait etching at a window, 1648. Creator: Rembrandt Harmensz van Rijn
Self-portrait etching at a window, 1648.

Background imageDrypoint Collection: Le Pont-Neuf, 1853. Creator: Charles Meryon

Le Pont-Neuf, 1853. Creator: Charles Meryon
Le Pont-Neuf, 1853.

Background imageDrypoint Collection: Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn

Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn
Clement de Jonghe, printseller, 1651.

Background imageDrypoint Collection: A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn

A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn
A blind hurdy-gurdy player and family receiving alms, 1648.

Background imageDrypoint Collection: The Procession, 1901. Creator: William Strang

The Procession, 1901. Creator: William Strang
The Procession, 1901.

Background imageDrypoint Collection: The Fisherman, 1908. Creator: William Strang

The Fisherman, 1908. Creator: William Strang
The Fisherman, 1908. The Fisherman is a fine example of Strang's allegorical works. Central to it is the classical nude group

Background imageDrypoint Collection: Ninette, c.1928. Creator: William Lee-Hankey

Ninette, c.1928. Creator: William Lee-Hankey
Ninette, c.1928.

Background imageDrypoint Collection: Piccadilly Circus, 1915. Creator: David Muirhead Bone

Piccadilly Circus, 1915. Creator: David Muirhead Bone
Piccadilly Circus, 1915. A dramatic scene of crowds as they move through Piccadilly Circus, a circular road junction and major public space bordered by stately buildings in London's West End

Background imageDrypoint Collection: Demolition of St. James' Hall, exterior, 1907. Creator: David Muirhead Bone

Demolition of St. James' Hall, exterior, 1907. Creator: David Muirhead Bone
Demolition of St. James' Hall, exterior, 1907. Located on a site between Regent Street and Piccadilly, St James' Hall was a celebrated London concert hall where handsome performances were held for

Background imageDrypoint Collection: A monk praying, St. Francis, c.1877. Creator: Francis Seymour Haden

A monk praying, St. Francis, c.1877. Creator: Francis Seymour Haden
A monk praying, St. Francis, c.1877. The isolated figure of an austere monk - who the title indicates is Haden's image of St Francis of Assisi - looking up towards a tree with a crucifix; his right

Background imageDrypoint Collection: Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn

Jan Lutma, goldsmith, 1656. Creator: Rembrandt Harmensz van Rijn
Jan Lutma, goldsmith, 1656. Although Jan Lutma (c. 1584-1669) was already an elderly man when he was portrayed, he was probably still working as a silversmith

Background imageDrypoint Collection: Sunset at Heybridge basin, 1924. Creator: Martin Hardie

Sunset at Heybridge basin, 1924. Creator: Martin Hardie
Sunset at Heybridge basin, 1924. Depicting rowboats and sailboats moored in the still water of an inlet canal, the sails furled tightly.Several houses stand on the docks

Background imageDrypoint Collection: A Suffolk farm, 1930s. Creator: Martin Hardie

A Suffolk farm, 1930s. Creator: Martin Hardie
A Suffolk farm, 1930s. A charming domestic scene of thatched farm buildings, well-established trees and two horses contentedly grazing.

Background imageDrypoint Collection: A Suffolk bridge, 1930s. Creator: Martin Hardie

A Suffolk bridge, 1930s. Creator: Martin Hardie
A Suffolk bridge, 1930s. Depicting in the foreground well-established trees and an old, probably 18th century bridge; the adult figure crossing it wears a conical brimmed hat that makes him look

Background imageDrypoint Collection: Strand with sky, 1916. Creator: Francis Dodd

Strand with sky, 1916. Creator: Francis Dodd
Strand with sky, 1916.

Background imageDrypoint Collection: Bone at the press, 1908. Creator: Francis Dodd

Bone at the press, 1908. Creator: Francis Dodd
Bone at the press, 1908. Vivid character study of Dodd's great friend and fellow student at the Glasgow School of Art, and later brother-in-law, Muirhead Bone

Background imageDrypoint Collection: St. Mary le Strand, 1916. Creator: Francis Dodd

St. Mary le Strand, 1916. Creator: Francis Dodd
St. Mary le Strand, 1916. Shows James Gibbs's early 18th century church of St Mary le Strand, in London's West End.

Background imageDrypoint Collection: Old Postillion, 1920. Creator: Francis Dodd

Old Postillion, 1920. Creator: Francis Dodd
Old Postillion, 1920.

Background imageDrypoint Collection: Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie

Christ healing the sick ('The hundred guilder print'), 1775. Creator: William Baillie
Christ healing the sick ('The hundred guilder print'), 1775.

Background imageDrypoint Collection: Peckham, 1915. Creator: Francis Dodd

Peckham, 1915. Creator: Francis Dodd
Peckham, 1915. Showing Peckham Hill Street and St Chrysostom Church which was demolished in 1963 due to severe dry rot.

Background imageDrypoint Collection: The way to Emmaus, no.2, 1914. Creator: William Strang

The way to Emmaus, no.2, 1914. Creator: William Strang
The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang

Background imageDrypoint Collection: Anchor Inn, Greenwich, 1938. Creator: Francis Dodd

Anchor Inn, Greenwich, 1938. Creator: Francis Dodd
Anchor Inn, Greenwich, 1938. Depicting the wharf, pub and moored boats on the River Thames at Highbridge, East Greenwich. Research on this print has however yielded a significant art historical

Background imageDrypoint Collection: A.L. Smith, Master of Balliol, 1915. Creator: Francis Dodd

A.L. Smith, Master of Balliol, 1915. Creator: Francis Dodd
A.L. Smith, Master of Balliol, 1915. Arthur Lionel Smith was Master of Balliol College, Oxford, from 1916-24. He had a lifelong association with Balliol, coming up as an undergraduate in 1869

Background imageDrypoint Collection: Winter afternoon, 1910. Creator: Francis Dodd

Winter afternoon, 1910. Creator: Francis Dodd
Winter afternoon, 1910. An intimate portrait of the painter Susan Isabel Dacre (1844-1933). Susan Isabel Dacre, sometimes called 'Aunt Susie'?, was a friend and collaborator of Dodd

Background imageDrypoint Collection: Holy Family in an interior, 1643-5. Creator: Ferdinand Bol

Holy Family in an interior, 1643-5. Creator: Ferdinand Bol
Holy Family in an interior, 1643-5.

Background imageDrypoint Collection: Lunch hour, San Sebastian, 1924. Creator: Edmund Blampied

Lunch hour, San Sebastian, 1924. Creator: Edmund Blampied
Lunch hour, San Sebastian, 1924.

Background imageDrypoint Collection: Driving home in the rain, 1914. Creator: Edmund Blampied

Driving home in the rain, 1914. Creator: Edmund Blampied
Driving home in the rain, 1914.

Background imageDrypoint Collection: Farm hands, 1922. Creator: Edmund Blampied

Farm hands, 1922. Creator: Edmund Blampied
Farm hands, 1922. There is an element of drudgery in the expressions and absolute profiles of the farm hands of the title, who are tipping vegetables into a barrel

Background imageDrypoint Collection: Aunt Elizabeth, 1921. Creator: Edmund Blampied

Aunt Elizabeth, 1921. Creator: Edmund Blampied
Aunt Elizabeth, 1921. Depicts the artist's aunt as she peels vegatables.

Background imageDrypoint Collection: Survivors at Arras, 1917. Creator: CRW Nevinson

Survivors at Arras, 1917. Creator: CRW Nevinson
Survivors at Arras, 1917.

Background imageDrypoint Collection: Badger Moody, 1922. Creator: CRW Nevinson

Badger Moody, 1922. Creator: CRW Nevinson
Badger Moody, 1922.

Background imageDrypoint Collection: Paysage à l'Hermitage (Pontoise); (Landscape at l'Hermitage, Pontoise), 1880

Paysage à l'Hermitage (Pontoise); (Landscape at l'Hermitage, Pontoise), 1880. Creator: Camille Pissarro
Paysage a l'Hermitage (Pontoise); (Landscape at l'Hermitage, Pontoise), 1880. A landscape with trees and buildings in the foreground and a wooded hillside in background

Background imageDrypoint Collection: Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson

Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson
Westminster from a Savoy window, 1925 -1926. A winter view of the River Thames looking south west from an upper window at Savoy Hotel.

Background imageDrypoint Collection: The Morning Of Life, 1860-72. Creator: Samuel Palmer

The Morning Of Life, 1860-72. Creator: Samuel Palmer
The Morning Of Life, 1860-72.



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