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Direction Collection (#5)

Background imageDirection Collection: The East Front of the College, 1926

The East Front of the College, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI

Background imageDirection Collection: Study of a Horseman, c1480 (1945). Artist: Leonardo da Vinci

Study of a Horseman, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horseman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageDirection Collection: Four Studies for an Equestrian Monument, c1480 (1945). Artist: Leonardo da Vinci

Four Studies for an Equestrian Monument, c1480 (1945). Artist: Leonardo da Vinci
Four Studies for an Equestrian Monument, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageDirection Collection: Waynfletes North Door, with the Seventeenth-Century Stairs to Upper School and Antechapel, 1926

Waynfletes North Door, with the Seventeenth-Century Stairs to Upper School and Antechapel, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor

Background imageDirection Collection: Allegorical Representation, c1480 (1945). Artist: Leonardo da Vinci

Allegorical Representation, c1480 (1945). Artist: Leonardo da Vinci
Allegorical Representation, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageDirection Collection: The Four Principal Roman Lines of Communication in Britain, 1910

The Four Principal Roman Lines of Communication in Britain, 1910. From The Army Pageant, edited and arranged by F.R. Benson and Algernon Tudor Craig. [Sir Joseph Causton & Sons, Limited, London, 1910]

Background imageDirection Collection: St. Helen s, 1890. Artist: A W Henley

St. Helen s, 1890. Artist: A W Henley
St. Helen s, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890]

Background imageDirection Collection: The Royal Horse Artillery, 1846 (1909)

The Royal Horse Artillery, 1846 (1909). After George Bryant Campion (1795-1870). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageDirection Collection: The Hundred Steps, 1895

The Hundred Steps, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageDirection Collection: St. Georges Chapel: The Choir, Looking East, 1895

St. Georges Chapel: The Choir, Looking East, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageDirection Collection: Doctor Syntax, Losing His Way, 1820. Artist: Thomas Rowlandson

Doctor Syntax, Losing His Way, 1820. Artist: Thomas Rowlandson
Doctor Syntax, Losing His Way, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]

Background imageDirection Collection: An Airing in the Park, 1793, c1870

An Airing in the Park, 1793, c1870. Attracting over 77 million visitors a year, Londons eight Royal Parks are some of the most precious, picturesque and entertaining open spaces in the world

Background imageDirection Collection: North Wind on the Upper Nile, c1880, (1904). Artist: Robert George Talbot Kelly

North Wind on the Upper Nile, c1880, (1904). Artist: Robert George Talbot Kelly
North Wind on the Upper Nile, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Background imageDirection Collection: Bulak from Ghezireh, c1880, (1904). Artist: Robert George Talbot Kelly

Bulak from Ghezireh, c1880, (1904). Artist: Robert George Talbot Kelly
Bulak from Ghezireh, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Background imageDirection Collection: The Citadel and Cairo from the East, c1880, (1904). Artist: Robert George Talbot Kelly

The Citadel and Cairo from the East, c1880, (1904). Artist: Robert George Talbot Kelly
The Citadel and Cairo from the East, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Background imageDirection Collection: Drawings of Chariots Armed with Flails, of an Archer with a Shield, c1480, (1945)

Drawings of Chariots Armed with Flails, of an Archer with a Shield, c1480, (1945). Artist: Leonardo da Vinci
Drawings of Chariots Armed with Flails, of an Archer with a Shield and of a Horseman with Three Lances, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageDirection Collection: Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856

Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W Trask
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)

Background imageDirection Collection: Kertch from the North, 1856. Artist: Georges McCulloch

Kertch from the North, 1856. Artist: Georges McCulloch
Kertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)

Background imageDirection Collection: The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

Background imageDirection Collection: The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask

The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground

Background imageDirection Collection: East room where receptions are held, White House, Washington D. C. c1900

East room where receptions are held, White House, Washington D. C. c1900
East room where receptions are held, White House, Washington D.C. c1900. [Underwood & Underwood, New York, London, Toronto-Canada, Ottawa-Kansas, c1900]

Background imageDirection Collection: East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897

East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. Artist: William Patten
East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageDirection Collection: Clipper Ship, Sussex, c1853. Artist: Thomas Goldsworth Dutton

Clipper Ship, Sussex, c1853. Artist: Thomas Goldsworth Dutton
Clipper Ship, Sussex, c1853. Built in 1852. From Old Ship Prints by E. Keble Chatterton. [John Lane The Bodley Head Limited, London & New York, 1927]

Background imageDirection Collection: Armed Lugger Close Hauled With All Sail Set, 1825. Artist: John Rogers

Armed Lugger Close Hauled With All Sail Set, 1825. Artist: John Rogers
Armed Lugger Close Hauled With All Sail Set, 1927. From Old Ship Prints by E. Keble Chatterton. [John Lane The Bodley Head Limited, London & New York, 1927]

Background imageDirection Collection: Leith Smack Running Up Swim, October, 1838. Artist: John Christian Schetky

Leith Smack Running Up Swim, October, 1838. Artist: John Christian Schetky
Leith Smack Running Up Swim, October, 1838. From Old Ship Prints by E. Keble Chatterton. [John Lane The Bodley Head Limited, London & New York, 1927]

Background imageDirection Collection: The Cross Road, 1850. Artist: David Cox the elder

The Cross Road, 1850. Artist: David Cox the elder
The Cross Road, 1850. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageDirection Collection: Seascape, c1895. Artist: Albert Ernest Markes

Seascape, c1895. Artist: Albert Ernest Markes
Seascape, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageDirection Collection: Blackcock or Black-Grouse - Tet rao tet rix, c1910, (1910). Artist: George James Rankin

Blackcock or Black-Grouse - Tet rao tet rix, c1910, (1910). Artist: George James Rankin
Blackcock or Black-Grouse - Tet rao tet rix, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Background imageDirection Collection: The Two Plough Horses, 1652. Artist: Paulus Potter

The Two Plough Horses, 1652. Artist: Paulus Potter
The Two Plough Horses, 1652. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Background imageDirection Collection: A Vision of the East - Stage V, c1920. Artists: Percy Bradshaw, Dudley Hardy

A Vision of the East - Stage V, c1920. Artists: Percy Bradshaw, Dudley Hardy
A Vision of the East - Stage V, c1920. From The Art of the Illustrator - Dudley Hardy and his work, by Percy V Bradshaw. [The Press Art School, London, c1920]

Background imageDirection Collection: Peterborough Cathedral from the North, 1909. Artist: JMW Turner

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageDirection Collection: Plancius Taking A Sight, 1592. Artist: Theodoor Galle

Plancius Taking A Sight, 1592. Artist: Theodoor Galle
Plancius Taking A Sight, 1592. Petrus Plancius (1552-1622) calculates his position with the help of the sun. After Jan van der Straet (1523-1605). From The Studio Volume 87

Background imageDirection Collection: Rough Weather, c1917. Artist: Emile Claus

Rough Weather, c1917. Artist: Emile Claus
Rough Weather, c1917. This picture is thought to be of Waterloo Bridge. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Background imageDirection Collection: A Northern Castle, c1900. Artist: Isobelle Ann Dods-Withers

A Northern Castle, c1900. Artist: Isobelle Ann Dods-Withers
A Northern Castle, c1900. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

Background imageDirection Collection: Fresh as a four year old. Went off like a shot, 1865. Artist: John Leech

Fresh as a four year old. Went off like a shot, 1865. Artist: John Leech
Fresh as a four year old. Went off like a shot, 1865. From Mr. Facey Romfords Hounds, written by Robert Smith Surtees, illustrated by John Leech and H.K. Phiz Browne. [Bradbury, Evans & Co

Background imageDirection Collection: A House in Poland: View from the South-East, c20th century. Artist: Mackay Hugh Baillie Scott

A House in Poland: View from the South-East, c20th century. Artist: Mackay Hugh Baillie Scott
A House in Poland: View from the South-East, c20th century. A house in Poland designed by the architect Mackay Hugh Baillie Scott (1865?1945). From The Studio Volume 59 by Ralph Nevill

Background imageDirection Collection: Pressing on from the Bridgehead, 1943-44

Pressing on from the Bridgehead, 1943-44. Scottish troops marching to continue the liberation of Sicily during World War II. Local people can be seen returning to their homes in carts

Background imageDirection Collection: The way to go round The Dome, 1951

The way to go round The Dome, 1951. Between May and September 1951 a grand exhibition was held throughout Great Britain. A Festival Council brought together a team of designers

Background imageDirection Collection: Epsom Race Course, 1940

Epsom Race Course, 1940. The first recorded race was held on the Downs in 1661, although it is likely that racing was established much earlier than this

Background imageDirection Collection: Sir John Mandeville on his Travels, (1430), 1912. Artist: TC and EC Jack

Sir John Mandeville on his Travels, (1430), 1912. Artist: TC and EC Jack
Sir John Mandeville on his Travels, 1430. After a work which appears in The Travels Of Sir John Mandeville. The work presents itself as an account of China, India, and the Holy Land

Background imageDirection Collection: An illustration of Robert Brownings (1812-1889) poem Rabbi Ben Ezra, 1916. Artist: Bernard Partridge

An illustration of Robert Brownings (1812-1889) poem Rabbi Ben Ezra, 1916. Artist: Bernard Partridge
An illustration of Robert Brownings (1812-1889) poem Rabbi Ben Ezra. Illustrated by John Bernard Partridge (1861-1945) often refered to as Bernard Partridge. From The Connoisseur 1916, VOL. XLIV

Background imageDirection Collection: Prickly Hornfish (Batistes aculeatus), Monacanthus bifilamentosus, c. 1850s

Prickly Hornfish (Batistes aculeatus), Monacanthus bifilamentosus, c. 1850s
Prickly Hornfisch (Batistes aculeatus) Monacanthus bifilamentosus, c.1850s

Background imageDirection Collection: Turbot, (Rhombus maximus), Common Sole (Solea vulgaris), c. 1850s

Turbot, (Rhombus maximus), Common Sole (Solea vulgaris), c. 1850s
Turbot (Rhombus maximus), Common Sole (Solea vulgaris), c.1850s

Background imageDirection Collection: Swordfish (Hiphias gladius), Thinnus bulgaris, c. 1850s

Swordfish (Hiphias gladius), Thinnus bulgaris, c. 1850s
Swordfish (Hiphias gladius) Common Thunfisch (Thinnus bulgaris), c.1850s

Background imageDirection Collection: The nave (looking east) of Westminster Abbey, (1843). Artist: Messrs Sly and Wilson

The nave (looking east) of Westminster Abbey, (1843). Artist: Messrs Sly and Wilson
The nave (looking east) of Westminster Abbey, as prepared for the musical festival, 1834, (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageDirection Collection: Studies of Panthers, 1913. Artist: Eugene Delacroix

Studies of Panthers, 1913. Artist: Eugene Delacroix
Studies of Panthers, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageDirection Collection: Sixteen Miles Under the Hour by Tom Thumb, 1831

Sixteen Miles Under the Hour by Tom Thumb, 1831

Background imageDirection Collection: Queen Elizabeths Pocket Pistol, Dover, 20th century

Queen Elizabeths Pocket Pistol, Dover, 20th century



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