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The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam MurrayThe Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]
A Zikr, c1880, (1904). Artist: Robert George Talbot KellyA Zikr, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: RaphaelEl Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion
The Three Paths, 1918, (1918). Artist: Gunning KingThe Three Paths, 1918, (1918). The picture symbolises the three human paths of heart, mind and body. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]
Two pages from A Book of Hours, c1350. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]
The Lovers, 1525-1530 (c1940). Artist: Paris BordoneThe Lovers, 1525-1530. Painting held at the Pinacoteca di Brera, Milan. From The Worlds Greatest Paintings, Vol. 2, edited by T. Leman Hare [Odhams Press Ltd, London, c1940]
A Rakes Progress - 4: The Arrest, 1733. Artist: William HogarthA Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt
