Devotion Collection (page 9)

Madonna and Child, ca. 1448-60. Creator: Workshop of Sano di Pietro (Ansano di Pietro di Mencio)
Madonna and Child, ca. 1448-60

Branched altar cross, 14th-15th century, (1881). Creator: Js Goepel
Branched altar cross, 14th-15th century, (1881). Etching of a silver parcel-gilt cross, the crucifix made c1350, and the figures and base made 1464-1474 by Hans Rutenzwig or his workshop, in Basel

Miniature altar, 1500-1570, (1881). Creator: D Jones
Miniature altar, 1500-1570, (1881). Etching of a boxwood and silver house-altar, probably made in the Netherlands, 16th century

Monstrance, c1450, (1881). Creator: Frederick Albert Slocombe
Monstrance, c1450, (1881). Etching of a religious object, made in Italy in the mid 15th century. A monstrance or ostensorium is a liturgical vessel used in the Roman Catholic Church to display sacred

Reliquary, 1497, (1881). Creator: W F Randall
Reliquary, 1497, (1881). Etching of a reliquary (a container for the relics of saints), made in Italy in the late 15th century, possibly by Cristoforus de Luca

Reliquary, 14th century, (1881). Creator: W. M. McGill
Reliquary, 14th century, (1881). Etching of a medieval reliquary (a container for the relics of saints). The polygonal crystal container is mounted in silver

Ivory tryptich, 1470-1500, (1881). Creator: D Jones
Ivory tryptich, 1470-1500, (1881). Etching of a small small portable altar of carved ivory, made in France in the late 15th century

Reliquary Cross, 10th century, (1881). Creator: A A Bradbury
Reliquary Cross, 10th century, (1881). Etching of an Anglo Saxon crucifix made c900-1000 AD, possibly in Winchester or Germany

Silver pax with nativity scene, early-mid 19th century, (1881). Creator: W. M. McGill
Silver pax with nativity scene, early-mid 19th century, (1881). Etching of a pax (latin for peace ), a religious item which is kissed during the catholic service of the Mass as a sign of peace

Drelincourt, (1595-1669), 1830. Creator: Unknown
Drelincourt, (1595-1669), 1830. Charles Drelincourt (1595-1669) French Protestant divine and author of a large number of works in devotional and polemical theology

The Devotion of General Robertss Sikh Orderly at Spingawi, (1901). Creator: Unknown
The Devotion of General Robertss Sikh Orderly at Spingawi, (1901). Incident during the Afghan Wars: on my being hit in the hand by a spent bullet

Adoration of the Magi, 1476, (1937). Creator: Sandro Botticelli
Adoration of the Magi, 1476, (1937). Painting in the Uffizi, Gallery, Florence. From " Sandro Botticelli" by Lionello Venturi. [George Allen & Unwin Ltd, London, 1937]

Les amies, c1918-c1939. Creator: Unknown
Les amies, c1918-c1939. From an album of postcards

St. Francis of Assisi and Antony of Padua, 1915. Creator: Unknown
St. Francis of Assisi and Antony of Padua, 1915. From " Woodcuts of the Fifteenth Century in the John Rylands Library - Manchester"

Offerings of Food, 19th Century. Creator: Japanese School (19th century)
Offerings of Food, 19th Century (colour woodblock print). From a 19th century album of woodcuts

Samurai Warriors on the March, 19th Century. Creator: Japanese School (19th century)
Samurai Warriors on the March, 19th Century (colour woodblock print). From a 19th century album of woodcuts

Warlord watches Samurai practising their Swordplay, 19th Century. Creator: Japanese School
Warlord watches Samurai practising their Swordplay, 19th Century (colour woodblock print). From a 19th century album of woodcuts

Regents Park Mosque, 2009. Creator: Ethel Davies
The London Central Mosque, also known as the Regents Park Mosque, designed by Sir Frederik Gibberd in 1978, Regents Park, London, NW8, England

Jugentil Door carving, Department of Philosophy, Jena University, Jena, Germany, 2018. Friedrich Schiller University is one of the ten oldest universities in Germany

The Adoration of the Shepherds, 1505-1510. Artist: Giorgione
The Adoration of the Shepherds, 1505-1510. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

The Adoration of the Magi, c1475-1476. Artist: Sandro Botticelli
The Adoration of the Magi, c1475-1476. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC

Christus Am Kreuz, Mit Zwei Stiftern, (Christ on the Cross Adored by Donors), c1590, (1938). Artist: El Greco
Christus Am Kreuz, Mit Zwei Stiftern, (Christ on the Cross Adored by Donors), c1590, (1938). From El Greco. [George Allen & Unwin Ltd, London, 1938]

My Thoughts Are My Children, c1900, (1912). Artist: Edward Stott
My Thoughts Are My Children, c1900, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Emile Zola and Jeanne Rozerat, c1890, (1939). Artist: Pierre Petit
Emile Zola and Jeanne Rozerat, c1890, (1939). Emile Zola (1840-1902), French novellist with his wife Eleonore-Alexandrine Meley. From Verve - Nos. 5-6, July-October 1939. [Verve, France, 1939]

From Horae ad usum Romanum, 1903. Artist: Denis Meslier
From Horae ad usum Romanum, 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Zikr, c1880, (1904). Artist: Robert George Talbot Kelly
A Zikr, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

The Three Paths, 1918, (1918). Artist: Gunning King
The Three Paths, 1918, (1918). The picture symbolises the three human paths of heart, mind and body. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Two pages from A Book of Hours, c1350. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

The Adoration of the Magi

Adoration of the Magi, c1420. From the Chevalier Hours. Illustration from Illuminated Manuscripts in the British Museum, Miniatures, Borders, and Initials by George F Warner, series I

Adoration of the Magi, c1490-1497. The Holy Family, with kneeling Magi and angels above, text with decorated initial S, and borders of trompe l oeil decoration with acanthus and flowers

Devotion, 1902-1903. Artist: HO Klein
Devotion, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8, edited by William Gamble and published by AW Penrose (London, 1902-1903)

The Lovers, 1525-1530 (c1940). Artist: Paris Bordone
The Lovers, 1525-1530. Painting held at the Pinacoteca di Brera, Milan. From The Worlds Greatest Paintings, Vol. 2, edited by T. Leman Hare [Odhams Press Ltd, London, c1940]

A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth
A Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

St Mary Magdalene, 1886. Devoted disciple of Jesus. Published in Butlers Lives of the Saints, DIV 1, by the Rev Alban Butler, London & Dublin, 1886

Madame Vigee Lebrun and her daughter, Jeanne Lucie Louise, 1789, (1938). Artist: Elisabeth Louise Vigee-LeBrun
Madame Vigee Lebrun and her daughter, Jeanne Lucie Louise, 1789. Painting housed in the Louvre, Paris. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Chistian Davies (or Old Mother Ross ), c1706 (1904). Born Christian Cavanagh in Dublin, Christian Kit Davies (1667-1739) served in disguise in the British Army from 1693 to 1697

Letter from Sir Thomas More to Henry VIII, 5th March 1534. Artist: Sir Thomas More
Letter from Sir Thomas More to Henry VIII, 5th March 1534. Letter written from Chelchith (Chelsea), by Sir Thomas More to King Henry VIII

Madonna di Foligno, c1511-1512. Artist: Raphael
Madonna di Foligno, c1511-1512. The painting was executed for Sigismondo de Conti, secretary of Pope Julius II, in 1511-1512

The Adoration of the Magi, c1490. Artist: Hieronymus Bosch
The Adoration of the Magi, c1490. From the collection of the Metropolitan Museum of Art, New York

Paris altarpiece, 15th century. Christ crucified (centre) with the Virgin Mary and St John the Apostle on the left and right of the cross

Christ on the Cross between the two Thieves, 17th century. Artist: Frans Francken II
Christ on the Cross between the two Thieves, 17th century. At the foot of the cross are the Virgin Mary with St John the Apostle (left) and Mary Magdalene and Mary the wife of Cleophas (right)

The Entombment, 1450s. Artist: Dieric Bouts
The Entombment, 1450s. Christs body is being lowered into the tomb. The group includes the Virgin Mary, holding Christs wrist, and the other three Marys who were present at the Crucifixion

Baptism of Jesus and the Raising of Lazarus, 1336. Artist: Sargis Pidsak
Baptism of Jesus and the Raising of Lazarus, 1336. In the top of the image Jesus is being baptised by his cousin St John the Baptist

The Adoration of the Trinity (The Landauer Altarpiece), 1511. Artist: Albrecht Durer
The Adoration of the Trinity (The Landauer Altarpiece), 1511. This picture shows the Holy Trinity in glory, worshipped by all the saints

The Deposition from the Cross, 1443-1445. Artist: Agnolo Bronzino
The Deposition from the Cross, 1443-1445. The Virgin Mary, surrounded by supporters, cradles the body of Christ in her lap. The crown of thorns has fallen from his head and lies on the ground (left)

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