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Contrast Collection (page 3)

Background imageContrast Collection: Low Life - High Life, 1829 (c1900). Artist: Edwin Henry Landseer

Low Life - High Life, 1829 (c1900). Artist: Edwin Henry Landseer
Low Life - High Life, 1829 (c1900). Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageContrast Collection: Youth and Age, c1887, (1901). Artist: Mortimer L Menpes

Youth and Age, c1887, (1901). Artist: Mortimer L Menpes
Youth and Age, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

Background imageContrast Collection: El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

Background imageContrast Collection: Industry and Greed, c1900, (1917). Artist: George Frederick Watts

Industry and Greed, c1900, (1917). Artist: George Frederick Watts
Industry and Greed, c1900, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageContrast Collection: Love and Death, c1877, (1917). Artist: George Frederick Watts

Love and Death, c1877, (1917). Artist: George Frederick Watts
Love and Death, c1877, (1917). Painting held at the Whitworth Art Gallery, University of Manchester, Manchester. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageContrast Collection: Forte Piano, 1829. Artist: George Cruikshank

Forte Piano, 1829. Artist: George Cruikshank
Forte Piano, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]

Background imageContrast Collection: The Hermit Visits The Caliph, 1918, (1918). Artist: Edmund Joseph Sullivan

The Hermit Visits The Caliph, 1918, (1918). Artist: Edmund Joseph Sullivan
The Hermit Visits The Caliph, 1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageContrast Collection: The Three Paths, 1918, (1918). Artist: Gunning King

The Three Paths, 1918, (1918). Artist: Gunning King
The Three Paths, 1918, (1918). The picture symbolises the three human paths of heart, mind and body. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageContrast Collection: Diogenes Lantern & Harvest Brodiaea, c1915, (1915). Artist: Emma Graham Clock

Diogenes Lantern & Harvest Brodiaea, c1915, (1915). Artist: Emma Graham Clock
Diogenes Lantern & Harvest Brodiaea, c1915, (1915). Calochortus amablis - Lily Family. Brodiaea grandiflora - Lily Family

Background imageContrast Collection: Squaw Grass and Scarlet Paint Brush, c1915, (1915). Artist: Emma Graham Clock

Squaw Grass and Scarlet Paint Brush, c1915, (1915). Artist: Emma Graham Clock
Squaw Grass and Scarlet Paint Brush, c1915, (1915). Xerophyllum tenax - Lily Family. Castilleia latifolia - Figwort Family

Background imageContrast Collection: Scarlet and Blue Larkspur, c1915, (1915). Artist: Emma Graham Clock

Scarlet and Blue Larkspur, c1915, (1915). Artist: Emma Graham Clock
Scarlet and Blue Larkspur, c1915, (1915). Delphinium nudicaule - Crowfoot Family. Delphinium - Crowfoot family - Cavaliers Spur

Background imageContrast Collection: Rustum and the Simoorg, c1897. Artist: Philip William May

Rustum and the Simoorg, c1897. Artist: Philip William May
Rustum and the Simoorg, c1897. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageContrast Collection: A Good Story Wasted, c1900. Artist: Charles Edmund Brock

A Good Story Wasted, c1900. Artist: Charles Edmund Brock
A Good Story Wasted, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageContrast Collection: Monk s-Hood, c1922. Artist: Harriet Sibyl Meugen

Monk s-Hood, c1922. Artist: Harriet Sibyl Meugen
Monk s-Hood, c1922. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Background imageContrast Collection: Frost on the Thames, 1897. Artist: J Quartley

Frost on the Thames, 1897. Artist: J Quartley
Frost on the Thames, 1897. From Old and New London Vol III by Edward Walford. [Cassell and Company Ltd, London, 1897]

Background imageContrast Collection: Poppies, Wheat, and Natane Flowers, 17th century. Artist: Sotatsu

Poppies, Wheat, and Natane Flowers, 17th century. Artist: Sotatsu
Poppies, Wheat, and Natane Flowers, 17th century. From The Studio Volume 52. [London Offices of the Studio, London, 1911]

Background imageContrast Collection: Tunisian Arabs Welcome a British Sergeant at Chaouach, 1943

Tunisian Arabs Welcome a British Sergeant at Chaouach, 1943. From The War Illustrated Volume 6 edited by Sir John Hammerton. [The Amalgamated Press Ltd, London, 1943]

Background imageContrast Collection: Old and New in North Africa, 1943

Old and New in North Africa, 1943. Tunisia during the Tunisia Campaign of World War II. From The War Illustrated Volume 6 edited by Sir John Hammerton. [The Amalgamated Press Ltd, London, 1943]

Background imageContrast Collection: La Demimondaine, 1911. Artist: James Pryde

La Demimondaine, 1911. Artist: James Pryde
La Demimondaine, 1911. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

Background imageContrast Collection: The Calmady Children, c1823, (1916). Artist: CG Lewis

The Calmady Children, c1823, (1916). Artist: CG Lewis
The Calmady Children, c1823. After a sketch by Sir Thomas Lawrence (1769-1830) for his work entitled Nature. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

Background imageContrast Collection: Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928

Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]

Background imageContrast Collection: Liberty is not Anarchy, 1886, (1929). Artist: Thomas Nast

Liberty is not Anarchy, 1886, (1929). Artist: Thomas Nast
Liberty is not Anarchy, 1886. This cartoon shows the hands of Columbia holding, in her left hand, a sword labeled U.S. and in her right, a handful of anarchists

Background imageContrast Collection: Simon Paap (1789-1828 ) and James Toller (1798-1818), c1894

Simon Paap (1789-1828 ) and James Toller (1798-1818), c1894
Simon Paap (1789-1828 ) and James Toller (1798-1818) c1816. Simon Paap (1789-1828 ) was a famous Dutch dwarf who stood at twenty eight inches tall and James Toller (1798-1818)

Background imageContrast Collection: Wybrand Lolkes (1733-1801) and his Wife, (1822), 1894

Wybrand Lolkes (1733-1801) and his Wife, (1822), 1894
Wybrand Lolkes (1733-1801) and his Wife, 1822. Wybrand Lolkes (1733-1801) was a Dutch dwarf who exhibited himelf with travelling fairs

Background imageContrast Collection: Jozef Boruwlaski (1739-1837) and Patrick Cotter O Brien (1760-1806), c1780 (1894)

Jozef Boruwlaski (1739-1837) and Patrick Cotter O Brien (1760-1806), c1780 (1894)
Jozef Boruwlaski (1739-1837) and Patrick Cotter O Brien (1760-1806), c1780. Count Jozef Boruwlaski (1739-1837) was a Polish-born dwarf who toured in European and Turkish courts

Background imageContrast Collection: Quadruple-Screw R. M.s Majestic of the White Star Line, c1920s

Quadruple-Screw R. M.s Majestic of the White Star Line, c1920s
Quadruple-Screw R.M.S Majestic of the White Star Line, c1920s. RMS Majestic worked on the North Atlantic run. Majestic was originally launched in 1914 as the Hamburg America Line liner SS Bismarck

Background imageContrast Collection: Portrait of Sir Francis Ford?s Children Giving a Coin to a Beggar Boy. Exhibited 1793 (1906)

Portrait of Sir Francis Ford?s Children Giving a Coin to a Beggar Boy. Exhibited 1793 (1906). Artist: Charles Wilkinson
Portrait of Sir Francis Ford?s Children Giving a Coin to a Beggar Boy. Exhibited 1793. Sir Francis Ford (1758-1801) was the Member of Parliament for Newcastle-Under-Lyme from 22 February 1793 to

Background imageContrast Collection: The Great Harry, man of war, the largest ship in the world during the reign of Henry VIII, c1857

The Great Harry, man of war, the largest ship in the world during the reign of Henry VIII, c1857. Artist: T Sherratt
The Great Harry, man of war, the largest ship in the world during the reign of Henry VIII, c1857. The ship, properly named the Henry Grace a Dieu, is contrasted with HMS Royal Albert, of 131 guns

Background imageContrast Collection: The Green Eyed Monster, 1913. Artist: Casavant

The Green Eyed Monster, 1913. Artist: Casavant
The Green Eyed Monster, 1913. A print from Life, 20th March 1913

Background imageContrast Collection: The White Monk II, c1775, (1938). Artist: Richard Wilson

The White Monk II, c1775, (1938). Artist: Richard Wilson
The White Monk II, c1775, (1938). Original painting held at the Smith College Museum of Art, Northampton, USA. From A Catalogue of the Pictures

Background imageContrast Collection: St Nicholas Church, Newcastle-Upon-Tyne, 1843. Artist: J Jackson

St Nicholas Church, Newcastle-Upon-Tyne, 1843. Artist: J Jackson
St Nicholas Church, Newcastle-Upon-Tyne, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageContrast Collection: West front of the Cathedral at Rheims, 1843. Artist: J Jackson

West front of the Cathedral at Rheims, 1843. Artist: J Jackson
West front of the Cathedral at Rheims, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageContrast Collection: Designs for Rugs by the Allgauer Handwebeteppiche, c1928

Designs for Rugs by the Allgauer Handwebeteppiche, c1928. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

Background imageContrast Collection: The Whistling Oyster, 1897

The Whistling Oyster, 1897. From Old and New London Vol 111 by Edward Walford. [Cassell and Company Ltd, London, 1897]

Background imageContrast Collection: Henry VIII, meeting Francis I, 1850. Artist: John Leech

Henry VIII, meeting Francis I, 1850. Artist: John Leech
Henry VIII, meeting Francis I, 1850. A satirical illustration King Henry VIII of England and King Francis I of France meeting at the Field of the Cloth of Gold

Background imageContrast Collection: Marriage of Henry the Sixth and Margaret of Anjou, 1850. Artist: John Leech

Marriage of Henry the Sixth and Margaret of Anjou, 1850. Artist: John Leech
Marriage of Henry the Sixth and Margaret of Anjou, 1850. A satirical illustration showing the marriage of King Henry VI (1421-1471) and Margaret of Anjou (1430-1482)

Background imageContrast Collection: Golf, 1919

Golf, 1919. A print from Punch, or The London Charivari, 23rd July 1919

Background imageContrast Collection: Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis

Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis
Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Illustration from Social Caricature in the Eighteenth Century

Background imageContrast Collection: The sea at the Crimea, c1860-1900. Artist: Arkhip Ivanovich Kuindzhi

The sea at the Crimea, c1860-1900. Artist: Arkhip Ivanovich Kuindzhi
The sea at the Crimea, c1860-1900. Kuindzhi, Arkhip Ivanovich (1842-1910). Found in the collection of the State Russian Museum, St. Petersburg

Background imageContrast Collection: Piti Tiena, (Two Sisters), 1892. Artist: Paul Gauguin

Piti Tiena, (Two Sisters), 1892. Artist: Paul Gauguin
Piti Tiena, (Two Sisters), 1892. Gauguin, Paul Eugene Henri (1848-1903). Found in the collection of the State Hermitage, St. Petersburg

Background imageContrast Collection: Alms, c1870-c1875. Artist: Andrei Osipovich Karelin

Alms, c1870-c1875. Artist: Andrei Osipovich Karelin
Alms, c1870-c1875. Found in the collection of the State Museum of History, Moscow

Background imageContrast Collection: The Massacre, 1905. Artist: Sergei Ivanov

The Massacre, 1905. Artist: Sergei Ivanov
The Massacre, 1905. January 9th 1905, Bloody Sunday massacre in St. Petersburg, Russia, of peaceful demonstrators marking the beginning of the violent phase of the Russian Revolution of 1905

Background imageContrast Collection: Counter-Composition XIII, 1925-1926. Artist: Theo Van Doesburg

Counter-Composition XIII, 1925-1926. Artist: Theo Van Doesburg
Counter-Composition XIII, 1925-1926.This canvas upholds the Neo-Plastic dictum of peripheric composition. The focus is decentralized and there are no empty, inactive areas

Background imageContrast Collection: The Temple of Antoninus and Faustina, Rome

The Temple of Antoninus and Faustina, Rome. The Temple of Antoninus and Faustina is an ancient Roman temple in Rome, adapted into the church of San Lorenzo in Miranda

Background imageContrast Collection: Early Sumerian cylinder-seal and impression

Early Sumerian cylinder-seal and impression, from the British Museums collection

Background imageContrast Collection: Hittite clay tablet and envelope

Hittite clay tablet and envelope. The letter is from Ena Suin for Laqidim and Shamash-Damho

Background imageContrast Collection: Confessions, 18th century

Confessions, 18th century. The Good Confession (top) presided over by Christ in heaven. A man chained to a devil approaches the confessional

Background imageContrast Collection: A Foolish and a Betting Man and A Wise and a Better Man, 1852

A Foolish and a Betting Man and A Wise and a Better Man, 1852. Cartoon from Punch (London, 1852) on the folly and profligacy of smoking and betting contrasted with the wisdom and prudence of saving



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