Constable Collection (page 4)

Fridtjof Nansen, 1897. Artist: Johan Nordhagen
Fridtjof Nansen, 1897. In 1888 Nansen (1861-1930) made the first crossing of Greenland. He is best known in exploration terms for his three year expedition (1893-1896) aboard the Fram

Salisbury Cathedral from the Meadows, 1831, (1917). Painting held at the Tate, London. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Water Lane, Dedham, c1802, (1911). Artist: John Constable
Water Lane, Dedham, c1802, (1911). John Constable, (1776-1837) was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale

Streamers of Aurora Borealis, 28th November 1893. Pastel Sketch, 1893 (1897). Artist: Fridtjof Nansen
Streamers of Aurora Borealis, 28th November 1893, (1897). Pastel Sketch from Farthest North, Vol. 2 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

Johansen Sitting in the Sleeping Bag in the Hut, c1893-1896, (1897). Fredrik Hjalmar Johansen (1867-1913) was a Norwegian explorer who took part to the three year expedition (1893-1896)

Dr. Blessing in his Cabin, 1893-1896, (1897). Henrik Blessing (born in 1866) was a Norwegian doctor and botanist who took part to the three year expedition (1893-1896)

The Saloon Was Converted Into A Reading-Room, 1893-1896, (1897). From Farthest North, Vol. 1 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

There Was Noting He Did Not Do, from moving people out of threatened shelters to mounting guard over unexploded bombs, 1941 (1942)

Barges on the Stour, with Dedham Church in the distance, c1811. Artist: John Constable
Barges on the Stour, with Dedham Church in the distance, c1811. Painting held at the Victoria and Albert Museum, London. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

East Bergholt Church from the South-East, 1811. Artist: John Constable
East Bergholt Church from the South-East, 1811. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

Naworth Castle, c1826. Artist: John Constable
Naworth Castle, c1826. Painting held at the National Gallery of Victoria, Melbourne. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Coast Scene with Church, c1824. Artist: John Constable
Coast Scene with Church, c1824. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

West End Fields, Hampstead, c1833. Artist: John Constable
West End Fields, Hampstead, c1833. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Salisbury Cathedral, c1823. Artist: John Constable
Salisbury Cathedral, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Cornfield, 1826, (1932). Artists: John Constable, Solomon Charles Kaines Smith
The Cornfield, 1826, (1932). Painting held at The National Gallery, London. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith. [The Medici Society, London, 1932]

Salisbury Cathedral and Leadenhall from the River Avon, 1820. Artist: John Constable
Salisbury Cathedral and Leadenhall from the River Avon, 1820. Painting held at The National Gallery, London. From The Studio Volume 113. [London Offices of the Studio, London, 1937]

Hove Beach, with Fishing Boats, c1824. Artist: John Constable
Hove Beach, with Fishing Boats, c1824. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Willy Lott?s House, c1811. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

A Country Road with Trees and Figures (recto); Willy Lotts House (verso), c1830. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII

Brighton Beach, with Colliers, 1824. Artist: John Constable
Brighton Beach, with Colliers, 1824. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Salisbury Cathedral, c1829. (1911). Artist: John Constable
Salisbury Cathedral, c1829. Painting held at the Tate, London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

East Bergholt Church: part of the west end seen beyond a group of elms, (1812), 1925
East Bergholt Church: part of the west end seen beyond a group of elms, 1812. Original house in the Victoria and Albert Museum. After a drawing by John Constable (1776-1837)

Nature: cloud study, c1822 (1956). In 1822, Constable produced about 50 studies of skies and clouds. From the Victoria and Albert Museum, London

A Windmill, 1802 (1899). A study in black chalk. A print from The Magazine of Art, Cassell and Company, Limited, 1899

John Constables house, Hampstead, London, 1912. Artist: Frederick Adcock
John Constables house, Hampstead, London, 1912. The home of John Constable (1776-1837) English Romantic painter. Hampstead, a village when Constable lived there, is now part of London

John Constables house, Charlotte Street, Bloomsbury, London, 1912. Artist: Frederick Adcock
John Constables house, Charlotte Street, Bloomsbury, London, 1912. The home of John Constable (1776-1837) English Romantic painter

The Right Honourable Lady Louisa Manners, c1821. Artist: John Constable
The Right Honourable Lady Louisa Manners, c1821. Louisa Manners Tollemache, 7th Countess of Dysart (1745-1840). After John Hoppner (1758-1810). From The Connoisseur Volume L. [The Connoisseur Ltd

Homes of famous painters, London, 1926-1927. Artist: Whiffin
Homes of famous painters, London, 1926-1927. Houses inhabited by Whistler (top left), and Turner (top right), in Cheyne Walk

Boat Building Near Flatford Mill, 1815, (1912). Artist: John Constable
Boat Building Near Flatford Mill, 1815, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Weymouth Bay: Bowleaze Cove and Jordon Hill, c. 1817. Artist: Constable, John (1776-1837)
Weymouth Bay: Bowleaze Cove and Jordon Hill, c. 1817. Found in the collection of the National Gallery, London

Stratford Mill, 1820. Artist: Constable, John (1776-1837)
Stratford Mill, 1820. Found in the collection of the National Gallery, London

The Lock. Artist: Constable, John (1776-1837)
The Lock. From a private collection

The Grove, or the Admirals House in Hampstead, 1821-1822. Artist: Constable, John (1776-1837)
The Grove, or the Admirals House in Hampstead, 1821-1822. Found in the collection of the Staatliche Museen, Berlin

View of Highgate from Hampstead Heath, early 19th century. Artist: John Constable
View of Highgate from Hampstead Heath, early 19th century. Constable, John (1776-1837). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

View of the City of London from Sir Richard Steeles Cottage, 19th century (1913). Artist: John Constable
View of the City of London from Sir Richard Steeles Cottage, 19th century (1913)

Salisbury Cathedral from Lower Marsh Close, 1820. Artist: John Constable
Salisbury Cathedral from Lower Marsh Close, 1820. From the collection of the National Gallery of Art, Washington DC, USA

Hampstead Heath with Harrow in the Distance, c1821. Artist: John Constable
Hampstead Heath with Harrow in the Distance, c1821. From the collection of the Cleveland Museum of Art, Ohio, USA

John Constable, c1799. Artist: Ramsay Richard Reinagle
John Constable, c1799. From the collection of the National Portrait Gallery, London

Stonehenge, c1835. Artist: John Constable
Stonehenge, c1835. The Neolithic stone circle on Salisbury Plain is thought to have been used to observe the motions of the moon and sun, and was built about 2, 000 BC

Barges on the Stour, with Dedham Church in the Distance, 1811. Artist: John Constable
Barges on the Stour, with Dedham Church in the Distance, 1811. From the Victoria and Albert Museum, London

Marriage A-la-Mode: 5. The Bagnio, c1743. Artist: William Hogarth
Marriage A-la-Mode: 5. The Bagnio, c1743. A bagnio, originally a coffee houses which offered Turkish baths, later meant a place where rooms could be rented with no questions asked

Dedham Village, Essex, 20th century. Artist: CM Dixon
Dedham Village, Essex, 20th century. Dedham is at the heart of Constable Country the area of England where Constable lived and painted. It contains a number of well-preserved buildings

Flatford Mill, Painted by Constable, East Bergholt, Suffolk, England, 20th century. Artist: CM Dixon
Flatford Mill, Painted by Constable, East Bergholt, Suffolk, England, 20th century. A Grade I listed watermill built in 1733 on the River Stour at Flatford in Suffolk, England

Scene from Shakespeares Much Ado about Nothing, 1856-1858. William Shakespeares comedy Much Ado about Nothing was first performed c1598

Scene from Shakespeares Much Ado about Nothing, 1870. Artist: Henry Courtney Selous
Scene from Much Ado about Nothing, 1870. William Shakespeares comedy Much Ado About Nothing was first performed c1598. In this scene Dogberry and Verges, local constables of the watch

Constable of the Watch with his dog from Much Ado About Nothing Act3 Sc3, 17th century
The Constable of the Watch with his dog. In Shakespeare Much Ado About Nothing Act 3 Sc 3 Dogberry is such a officer. Early 17th century illustration

The Police and the Public, 1874. Artist: Charles Samuel Keene
The Police and the Public, 1874. A labourer faces the court to make a complaint against the constable standing next to him

Mill Near Brighton, 1829. Creator: David Lucas
Mill Near Brighton, 1829

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