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Annoyance Collection (page 2)

Background imageAnnoyance Collection: Not at Home, or a Disappointed Dinner Hunter, June 13, 1823. June 13, 1823

Not at Home, or a Disappointed Dinner Hunter, June 13, 1823. June 13, 1823
Not at Home, or a Disappointed Dinner Hunter, June 13, 1823

Background imageAnnoyance Collection: The Sands, from Poetical Sketches of Scarborough, 1813. 1813

The Sands, from Poetical Sketches of Scarborough, 1813. 1813
The Sands, from " Poetical Sketches of Scarborough", 1813

Background imageAnnoyance Collection: A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, 1694-95

A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, 1694-95
A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, dated 1694-95

Background imageAnnoyance Collection: The New Bonnet, 1858. Creator: Francis William Edmonds

The New Bonnet, 1858. Creator: Francis William Edmonds
The New Bonnet, 1858

Background imageAnnoyance Collection: The Crown Prince and his music teacher are interrupted during a flute lesson, 1729, (1936)

The Crown Prince and his music teacher are interrupted during a flute lesson, 1729, (1936)
The Crown Prince and his music teacher Quantz are interrupted during a flute lesson by Frederick William I, 1729, (1936). Der Kronprinz Und Sein Musiklehrer Quantz Werden Von Friedrich Wilhelm I Beim

Background imageAnnoyance Collection: Penury incurr d by endless riot, vanity, the lust of pleasure and variety!, c1820 Creator

Penury incurr d by endless riot, vanity, the lust of pleasure and variety!, c1820 Creator
Penury incurr d by endless riot, vanity, the lust of pleasure and variety! Ministerial grace deals him out money from the public chest, c1820

Background imageAnnoyance Collection: The Sands, 1813. Creator: J Green

The Sands, 1813. Creator: J Green
The Sands, 1813. Donkey cart on the beach at Scarborough in Yorkshire. The angry driver brandishes a whip as passengers look on in consternation

Background imageAnnoyance Collection: John Gilpins horse splashes mud on a womans dress, 1878, (c1918). Creator: Randolph Caldecott

John Gilpins horse splashes mud on a womans dress, 1878, (c1918). Creator: Randolph Caldecott
John Gilpins horse splashes mud on a womans dress, 1878, (c1918). John Gilpin was the subject of a comic ballad of 1782 by William Cowper entitled " The Diverting History of John Gilpin"

Background imageAnnoyance Collection: The Rakes Progress at the University - No. 2, 1806. Creator: James Gillray

The Rakes Progress at the University - No. 2, 1806. Creator: James Gillray
The Rakes Progress at the University - No. 2, 1806. Satire depicting an angry tutor watching an undergraduate nonchalantly walking on the grass: Ah me

Background imageAnnoyance Collection: Caricature of Sir John Key, c1830

Caricature of Sir John Key, c1830
What a scandalous shame it is that they are allow d to take people off in this here kind of way, c1830; Sir John Key, with asses ears

Background imageAnnoyance Collection: The Drummer and the Giant, 1901. Artist: Edward Henry Wehnert

The Drummer and the Giant, 1901. Artist: Edward Henry Wehnert
The Drummer and the Giant, 1901. From Grimms Household Stories collected by the Brothers Grimm. [George Routledge & Sons, Limited, London, 1901]

Background imageAnnoyance Collection: A Conscious Martyr, 1881 (1891). Artist: George du Maurier

A Conscious Martyr, 1881 (1891). Artist: George du Maurier
A Conscious Martyr, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageAnnoyance Collection: Mr Jones Home from Club. Fears for the Storm. Artist: American Stereoscopic Company

Mr Jones Home from Club. Fears for the Storm. Artist: American Stereoscopic Company
Mr Jones Home from Club. Fears for the Storm. Stereoscopic card detail

Background imageAnnoyance Collection: A Sweet Delusion, 1878 (1891). Artist: Swain

A Sweet Delusion, 1878 (1891). Artist: Swain
A Sweet Delusion, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageAnnoyance Collection: Ceremony, 1872 (1891). Artist: George du Maurier

Ceremony, 1872 (1891). Artist: George du Maurier
Ceremony, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

Background imageAnnoyance Collection: Justice to the Rescue!, 1876. Artist: Joseph Swain

Justice to the Rescue!, 1876. Artist: Joseph Swain
Justice to the Rescue!, 1876. Uncle Sam and John Bull, representing Britain and the United States of America, are tearing up the Extradition Treaty of 1842

Background imageAnnoyance Collection: Wait your turn, Monsieur... I had that first. from the Little Miseries of Human Life

Wait your turn, Monsieur... I had that first. from the Little Miseries of Human Life, 1843

Background imageAnnoyance Collection: One does not bother an honest man with trifles like this

One does not bother an honest man with trifles like this. from the Little Miseries of Human Life, 1843



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