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1558 1617 Collection

Background image1558 1617 Collection: The Great Hercules or Knollenman, 1589. Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Great Hercules or Knollenman, 1589. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Great Hercules or Knollenman, 1589. Mannerism, a style that developed in Italy around 1520, can be considered both a continuation of and a reaction against the High Renaissance

Background image1558 1617 Collection: Apollo, 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Apollo, 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Apollo, 1588. This engraving depicts Apollo as the radiant sun god. With fire-like hair, he strides through rolling waves of clouds

Background image1558 1617 Collection: Young Man Standing. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Young Man Standing. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Young Man Standing

Background image1558 1617 Collection: The Passion. Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Passion. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Passion

Background image1558 1617 Collection: The Flagellation (from The Passion). Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Flagellation (from The Passion). Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Flagellation (from The Passion)

Background image1558 1617 Collection: The Standard Bearer, Turned to Left, 1587. Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Standard Bearer, Turned to Left, 1587. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Standard Bearer, Turned to Left, 1587. Around 1587 Goltzius drew designs for 12 prints depicting officers and soldiers in landscape settings, which were engraved by his pupil Jacques de Gheyn II

Background image1558 1617 Collection: The Annunciation, 1594. Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Annunciation, 1594. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Annunciation, 1594. The series of six prints, The Life of the Virgin, is also known as the Master Engravings, an acknowledgment of Goltziuss significant achievement

Background image1558 1617 Collection: The Magdalen in Penance. Creator: Hendrick Goltzius (Dutch, 1558-1617)

The Magdalen in Penance. Creator: Hendrick Goltzius (Dutch, 1558-1617)
The Magdalen in Penance

Background image1558 1617 Collection: Standing Officer Holding a Boars Spear, 1586. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Standing Officer Holding a Boars Spear, 1586. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Standing Officer Holding a Boars Spear, 1586. Although this image was never directly translated into an engraving, it is the only known preparatory study connected with the Soldiers

Background image1558 1617 Collection: Proserpine. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Proserpine. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Proserpine

Background image1558 1617 Collection: Seven Deities: Nox (Night), 1588-1590. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Seven Deities: Nox (Night), 1588-1590. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Seven Deities: Nox (Night), 1588-1590. Goltzius, famous as an engraver and painter, was the most important advocate of chiaroscuro woodcuts in the Netherlands

Background image1558 1617 Collection: Nox. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Nox. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Nox

Background image1558 1617 Collection: Neptune. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Neptune. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Neptune

Background image1558 1617 Collection: Portrait of Frederick de Vries and His Dog, 1597. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Portrait of Frederick de Vries and His Dog, 1597. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Portrait of Frederick de Vries and His Dog, 1597. The inscription in the center states: " I dedicate [this work] to the excellent painter Dirck de Vries in Venice out of friendship

Background image1558 1617 Collection: Pieta, 1596. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Pieta, 1596. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Pieta, 1596

Background image1558 1617 Collection: Hans Bol, 1593. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Hans Bol, 1593. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Hans Bol, 1593. Hans Bol (1534-1593) was active in Antwerp as a painter, etcher, and miniaturist. He is shown here at the age of 58, the last year of his life

Background image1558 1617 Collection: From a set of 4 Landscapes: No. 4- Cliff on the Seashore. Creator: Hendrick Goltzius (Dutch)

From a set of 4 Landscapes: No. 4- Cliff on the Seashore. Creator: Hendrick Goltzius (Dutch)
From a set of 4 Landscapes: No.4- Cliff on the Seashore

Background image1558 1617 Collection: From a set of 4 Landscapes: Cliffon the seashore. Creator: Hendrick Goltzius (Dutch, 1558-1617)

From a set of 4 Landscapes: Cliffon the seashore. Creator: Hendrick Goltzius (Dutch, 1558-1617)
From a set of 4 Landscapes: Cliffon the seashore

Background image1558 1617 Collection: Drummer, 1587. Creator: Jacob de Gheyn II (Dutch, 1565-1629); Hendrick Goltzius (Dutch, 1558-1617)

Drummer, 1587. Creator: Jacob de Gheyn II (Dutch, 1565-1629); Hendrick Goltzius (Dutch, 1558-1617)
Drummer, 1587. Jacques de Gheyn II (Dutch, 1565-1629) Drummer from Soldiers and Officers, 1587 Engraving John L. Severance Fund 1997.31 The moment I beat my drum strung with cowhide

Background image1558 1617 Collection: Demogorgon in the Cave of Eternity, c. 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)

Demogorgon in the Cave of Eternity, c. 1588. Creator: Hendrick Goltzius (Dutch, 1558-1617)
Demogorgon in the Cave of Eternity, c. 1588. Not all witches were women; men also performed magic. Unlike the destructive and sexualized stereotypes of female witches

Background image1558 1617 Collection: Arcadian Landscape, c. 1615. Creator: Hendrick Goltzius (Dutch, 1558-1617), attributed to

Arcadian Landscape, c. 1615. Creator: Hendrick Goltzius (Dutch, 1558-1617), attributed to
Arcadian Landscape, c. 1615. Engraver Hendrik Goltzius worked in Haarlem most of his life. Goltzius revived the chiaroscuro woodcut technique in the late 16th-century


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